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Dinah Washington Jazz Profile (CD)

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(Capitol Records) 14 tracks mehr

Dinah Washington: Jazz Profile (CD)

(Capitol Records) 14 tracks

Artikeleigenschaften von Dinah Washington: Jazz Profile (CD)

Washington, Dinah - Jazz Profile (CD) CD 1
01 Destination Moon Dinah Washington
02 The Blues Ain't Nothin' But A Woman Cryin' For Her Man Dinah Washington
03 Lover Man Dinah Washington
04 Don't Say Nothing At All Dinah Washington
05 Coquette Dinah Washington
06 The Man That Got Away Dinah Washington
07 Funny Thing Dinah Washington
08 Just One More Chance Dinah Washington
09 Miss You Dinah Washington
10 To Forget About You Dinah Washington
11 A Handful Of Stars Dinah Washington
12 I'll Never Stop Loving You Dinah Washington
13 I Wanna Be Around Dinah Washington
14 A Stranger On Earth Dinah Washington
Dinah Washington What A Diff'rence A Day Makes Dinah Washington What A Diff'rence A... mehr
"Dinah Washington"

Dinah Washington

What A Diff'rence A Day Makes

Dinah Washington

What A Diff'rence A Day Makes

(G“Dinah was the reason they wanted me to take over Mercury’s New York office,” said Clyde Otis. “They introduced me to her, and I said, 'I respect what you do so much, I'm afraid to even suggest a change in direction, but I have this idea for you to do “What A Diff'rence A Day Makes.” Have you ever heard it?' She said she had, and she asked me if I wrote it [Otis’ predilection for his own songs was legendary in the business]. I said I hadn't, but I told her if she recorded it, it could be very successful for her. She said, 'You do huh, motherfucker.' That was how she talked. She said, 'I'll give you one take, motherfucker.' I knew she meant one take, too. On the session, she was getting her shit together in the bathroom, and I told Belford Hendricks the arranger to get all the kinks out of the arrangement. She came back, she said. 'Ready?' One take, and we got it.

I went to a product meeting [at Mercury HQ] in Chicago, and played them ‘What A Diff'rence.’ They hated it. Meantime, Arnold Shaw [professional manager at the music publisher E.B. Marks] heard it and thought it was a monster. Arnold said, 'I'll take this song on the road, and I believe we can get the dee-jays to support it.' He went out three months, and when he came back it was a hit.”  In his book, Honkers And Shouters, Shaw adds that he actually brought the song to Otis. “When I suggested to Mercury executives that Dinah could sell pop, they patted me on the head and told me not to waste my company’s promotional budget,” wrote Shaw. “I was so excited when Clyde Otis cut [the song] that even though field promotion was the province of other members of staff, I went on the road. I spent nine weeks visiting disc-jockeys. Not R&B, but pop.”  

Dinah changed the song’s tense. Originally written in Spanish circa 1934 by Maria Grever as Cuando Vuelva A Tu Lado, it was rendered into English that year by veteran Broadway tunesmith Stanley Adams as What A Diff’rence A Day MADE. It hadn’t been an especially big hit in 1934, although it was interpolated into the 1955 Kirk Douglas movie, 'The Racer'. In 1959, it became Dinah’s first pop hit of the rock ‘n’ roll era, and it was, by any criterion, an exquisite performance. In 1975, Esther Phillips took what was essentially Dinah and Belford Hendricks’ arrangement of the song back into the pop Top 20. By then, Dinah was twelve years dead.

 

Various - Blowing The Fuse 1959

Classics That Rocked The Jukebox


Read more at: https://www.bear-family.de/various-blowing-the-fuse-1959-classics-that-rocked-the-jukebox.html
Copyright © Bear Family Records

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Tracklist
Washington, Dinah - Jazz Profile (CD) CD 1
01 Destination Moon
02 The Blues Ain't Nothin' But A Woman Cryin' For Her Man
03 Lover Man
04 Don't Say Nothing At All
05 Coquette
06 The Man That Got Away
07 Funny Thing
08 Just One More Chance
09 Miss You
10 To Forget About You
11 A Handful Of Stars
12 I'll Never Stop Loving You
13 I Wanna Be Around
14 A Stranger On Earth