Dinah Washington A Rockin' Good Way - Juke Box Pearls (CD)
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Dinah Washington: A Rockin' Good Way - Juke Box Pearls (CD)
Ein Rückblick auf Dinah Washingtons Karriere
A Rockin' Good Way
Video von Dinah Washington - A Rockin' Good Way - Juke Box Pearls (CD)
Artikeleigenschaften von Dinah Washington: A Rockin' Good Way - Juke Box Pearls (CD)
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Interpret: Dinah Washington
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Albumtitel: A Rockin' Good Way - Juke Box Pearls (CD)
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Genre R&B, Soul
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Label Bear Family Records
- Preiscode AH
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Artikelart CD
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EAN: 5397102175206
- Gewicht in Kg: 0.115
| Washington, Dinah - A Rockin' Good Way - Juke Box Pearls (CD) CD 1 | ||||
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| 01 | A Rockin' Good Way | Dinah Washington & Brook Benton |
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| 02 | Is You Is Or Is You Ain't My Baby | Dinah Washington |
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| 03 | Baby, Get Lost | Dinah Washington |
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| 04 | New Blowtop Blues | Dinah Washington |
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| 05 | A Bad Case Of The Blues | Dinah Washington |
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| 06 | Such A Night | Dinah Washington |
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| 07 | T.V. Is The Thing (This Year) | Dinah Washington |
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| 08 | Trouble In Mind | Dinah Washington |
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| 09 | A Sunday Kind Of Love | Dinah Washington |
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| 10 | Bad Luck | Dinah Washington |
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| 11 | Honky Tonk | Dinah Washington as 'The Queen' |
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| 12 | Smoke Gets In Your Eyes | Dinah Washington |
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| 13 | What A Diff'rence A Day Makes | Dinah Washington |
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| 14 | Baby, You've Got What It Takes | Dinah Washington & Brook Benton |
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| 15 | Come On Home | Dinah Washington |
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| 16 | Early Every Morning | Dinah Washington |
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| 17 | Cry Me A River | Dinah Washington |
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| 18 | I'm Thru With Love | Dinah Washington |
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| 19 | Everybody Loves Somebody | Dinah Washington |
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| 20 | I Don't Hurt Anymore | Dinah Washington |
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| 21 | Mean And Evil Blues | Dinah Washington |
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| 22 | Lingering | Dinah Washington |
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| 23 | Ask A Woman Who Knows | Dinah Washington |
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| 24 | Relax Max | Dinah Washington |
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| 25 | September In The Rain | Dinah Washington |
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| 26 | Mad About The Boy | Dinah Washington |
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| 27 | Time After Time | Dinah Washington |
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| 28 | The Song Is Ended | Dinah Washington |
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| 29 | Unforgettable | Dinah Washington |
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Dinah Washington
What A Diff'rence A Day Makes
Dinah Washington
What A Diff'rence A Day Makes
(G“Dinah was the reason they wanted me to take over Mercury’s New York office,” said Clyde Otis. “They introduced me to her, and I said, 'I respect what you do so much, I'm afraid to even suggest a change in direction, but I have this idea for you to do “What A Diff'rence A Day Makes.” Have you ever heard it?' She said she had, and she asked me if I wrote it [Otis’ predilection for his own songs was legendary in the business]. I said I hadn't, but I told her if she recorded it, it could be very successful for her. She said, 'You do huh, motherfucker.' That was how she talked. She said, 'I'll give you one take, motherfucker.' I knew she meant one take, too. On the session, she was getting her shit together in the bathroom, and I told Belford Hendricks the arranger to get all the kinks out of the arrangement. She came back, she said. 'Ready?' One take, and we got it.
I went to a product meeting [at Mercury HQ] in Chicago, and played them ‘What A Diff'rence.’ They hated it. Meantime, Arnold Shaw [professional manager at the music publisher E.B. Marks] heard it and thought it was a monster. Arnold said, 'I'll take this song on the road, and I believe we can get the dee-jays to support it.' He went out three months, and when he came back it was a hit.” In his book, Honkers And Shouters, Shaw adds that he actually brought the song to Otis. “When I suggested to Mercury executives that Dinah could sell pop, they patted me on the head and told me not to waste my company’s promotional budget,” wrote Shaw. “I was so excited when Clyde Otis cut [the song] that even though field promotion was the province of other members of staff, I went on the road. I spent nine weeks visiting disc-jockeys. Not R&B, but pop.”
Dinah changed the song’s tense. Originally written in Spanish circa 1934 by Maria Grever as Cuando Vuelva A Tu Lado, it was rendered into English that year by veteran Broadway tunesmith Stanley Adams as What A Diff’rence A Day MADE. It hadn’t been an especially big hit in 1934, although it was interpolated into the 1955 Kirk Douglas movie, 'The Racer'. In 1959, it became Dinah’s first pop hit of the rock ‘n’ roll era, and it was, by any criterion, an exquisite performance. In 1975, Esther Phillips took what was essentially Dinah and Belford Hendricks’ arrangement of the song back into the pop Top 20. By then, Dinah was twelve years dead.
Various - Blowing The Fuse 1959
Classics That Rocked The Jukebox
Read more at: https://www.bear-family.de/various-blowing-the-fuse-1959-classics-that-rocked-the-jukebox.html
Copyright © Bear Family Records
Das geht besser!
Für mich eine eher schwache Zusammenstellung. Es fehlen elementare Titel wie die Zweitversion von "Such A Night", die Originalversion von "Ring-A My Phone" sowie eine Reihe rhythmischer Aufnahmen die etwas Besonderes darstellen, eben weil Washington eine Balladensängerin gewesen ist, wären ihre rhythmusbetonten Lieder hier wünschenswert gewesen. Die hier veröffentlichten Aufnahmen finden sich auf x-beliebigen CDs und sind sicherlich nicht alle "Musikbox-Perlen".
Tipp: Vielleicht vor Veröffentlichung erst einmal die Kenner der Materie zu Rate ziehen!
Gute Klanqualität
Toll!
Diese Zusammenstellung ist der Beweis dafür dass Dinah Washington eine wirkliche 'Jukebox Queen' war! Schön, das ihr auch farbige Künstler mit in die Serie aufnehmt! Danke Bear Family!
Eine wunderbare CD. Kann man nur empfehlen.
Wonderful selections.
You get a lot of music for your money, and the tracks are a great representation of Miss Washington's career.The sound quality is superb.
makes my day
what a great little package
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Sofort versandfertig, Lieferzeit** 1-3 Werktage
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