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Ten Years After Stonedhenge (LP, Mono)

Stonedhenge (LP, Mono)
 
 
 

Artikel-Nr.: SLP5268

Gewicht in Kg: 0,310

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

26,95 € *
 
 
 
 
 

Ten Years After: Stonedhenge (LP, Mono)

Video von Ten Years After - Stonedhenge (LP, Mono)

(2017/Sundazed) 10 Tracks - The electrifying Ten Years After! A premium RTI Pressing, from the original U.K. MONO masters! Ten Years After’s eponymous debut hit the door with a loud thud. Undeadcracked it. And with 1969’s Stonedhenge, they knocked it down with authority, stormed the palace and showed the world that they were indeed a major act. Stonedhenge was where Ten Years After really came into their own with originals. “Hear Me Calling” is brilliant modern blues on par with the best of early Fleetwood Mac, rising from a restrained beginning to all-out rocking before repeating the cycle one last time. “Going to Try” explores similar territory, even venturing into a Middle-Eastern inspired section underscored by randomized percussion overdubs and Chick Churchill’s psychedelic organ. “Woman Trouble” is stirring jazzy blues, and on “No Title,” the band really cuts loose — kicking off with a standard blues lament before unleashing a series of solos that are almost songs unto themselves: Alvin Lee’s power-chord solo making way for Churchill’s spooky organ making way for a badass jam between drummer Ric Lee and bassist Leo Lyons. The band was running like a freight train — and in fact, train noises grace the beginning of album finale “Speed Kills,” a bluesy boogie that pushes the meter straight into the red before the thrill-ride literally comes to a screeching halt. But not before the album fully displays the band’s world-class musicianship and songwriting, which made Stonedhenge a hit in the UK and gave Ten Years After their first-ever Billboard Top 100 entry, at a respectable #61 in April 1969. In turn, it paved the way for the band’s acclaimed performance at Woodstock, which ensured regular placement on the album charts for years to come. For now, dig the first vinyl reissue of the ultra-rare mono mix of Stonedhenge, housed in its original gatefold cover artwork and meticulously mastered for the most discerning listener. Now Sundazed proudly presents the searing guitar of Alvin Lee & Chick Churchill’s haunting organ textures as they were meant to be heard, from the original U.K. MONO masters and pressed on premium RTI vinyl!
 

Songs

Ten Years After - Stonedhenge (LP, Mono) Medium 1
1: Going To Try
2: I Can't Live Without Lydia
3: Woman Trouble
4: Skoobly-Oobly-Doobob
5: Hear Me Calling
1: A Sad Song
2: Three Blind Mice
3: No Title
4: Faro
5: Speed Kills

 

Artikeleigenschaften von Ten Years After: Stonedhenge (LP, Mono)

  • Interpret: Ten Years After

  • Albumtitel: Stonedhenge (LP, Mono)

  • Artikelart LP

  • Genre Beat

  • Plattengröße LP (12 Inch)
  • Geschwindigkeit 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Erscheinungsjahr 2017
  • Label SUNDAZED

  • Preiscode VLP2
  • SubGenre Beat 60s-70s

  • EAN: 0090771526816

  • Gewicht in Kg: 0.310
 
 

Interpreten-Beschreibung "Ten Years After"

Ten Years After

Ten Years After was formed in late 1966 by Alvin Lee (guitar, vocals, born in Nottingham on Dec. 19, 1944), Chick Churchill (organ, born Jan. 2, 1946), Leo Lyons (bass, born Nov. 30, 1943), Ric Lee (drums, born Oct. -20, 1945). Brought up in Nottingham on his father's extensive blues collection, Alvin Lee established a successful local trio with Leo Lyons, journeying to Hamburg directly after the Bea-tles, where they established the direction that ultimately sur-faced as Ten Years After. Working in London in a West End production they met Ric Lee, a music scholar, and subsequently Chick Churchill, also well versed in musical styles. As Ten Years After they first gained attention at London's Marquee Club, soon signing a contract with Decca's Deram label, who released an album in 1967, 1st Album, without the benefit of the then obligatory establishing hit single.

American promoter Bill Graham booked them into his Fillmore Auditoriums on the basis of this recording and they soon be-came a major concert attraction in the United States. In 1968 they gained major English and European attention, but it was their fast and furious rendition of 'I'm Going Home' in the Woodstock film that established them as a top world attraction. Many of their subsequent audience, however, viewed this one song as their only style and were unprepared to accept anything else. The group officially disbanded in 1975. In early 1974 Lee played a solo concert at London's Rainbow Theatre, subsequently performing a world tour as Alvin Lee and Co. before retiring once more to his country mansion-cum-studio, where he produced bands that inter-ested him, such as FBI. The other members were similarly engaged in solo projects.

 
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