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The Treniers Hey Sister Lucy

Hey Sister Lucy
 
 
 
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Artikel-Nr.: BCD15419

Gewicht in Kg: 0,115

Statt: 15,95 € * (12.54 % gespart)
13,95 € *
 
 

The Treniers: Hey Sister Lucy

Zu ihrer jeweiligen Zeit bestanden die Treniers entweder aus zwei, drei oder vier Brüdern. Ihr vielleicht schönster Augenblick was ihr Auftreten anbetrifft,waren die Filme 'Don't Knock The Rock' und 'The Girl Can't Help It' Ende 1956. Leider waren dies nur zwei erhalten gebliebene Dokumente dessen, was sicher zu den aufregendsten Bühnenshows der frühen 50er Jahre zählte. Im Lauf der Jahre haben die Trenier Zwillinge für eine Reihe von Labels aufgenommen, hatten aber nur bescheidenen Erfolg in den Charts. Ihre wilde Bühneshow kündigte den herannahenden Rock'n Roll Sturm bereits an und zwar besser als alles andere in der frühen Phase des Jahrzehnts.

Ihre Aufnahmen, drunter die Original Version von Bill Haley's Rock-A-Beatin -Boogie dienen als famoses Studienmaterial bei der Erfkundung dieser aufbrechenden Zeit. Wir haben den größten Teil der nicht für Okeh gemachten Aufnahmen der Gruppe in all ihren Formen gesammelt - die Trenier Zwillinge, die vier Brüder Trenier und sogar die Solo Aufnahmen des älteren Bruders Milton -auf zwei Cds mit 36 Aufnahmen von 1947 bis 1956.

Die frühesten Aufnahmen, entnommen aus dem Mercury Archiv, enthalten Hey Sister Lucy und Ooh-Looka-There Ain't She Pretty zusammen mit sieben unveröffentlichten Stücken; die 50er Aufnahmen von RCA mit Cool It Baby, (We Want A) Rock And Roll President und Drinkin' Wine Spo-Dee-O-Dee und sieben unveröffentlichte Juwelen
 

Songs

The Treniers - Hey Sister Lucy Medium 1
1: Hey Sister Lucy
2: Buzz Buzz Buzz
3: But I'd Rather
4: Hey Boys, Better Get Yourself An Extra
5: Oooh! Look-A There Ain't She Pretty
6: Near To Me
7: No Baby No
8: Sometimes I'm Happy
9: I'll Follow You
10: It's A Quiet Town (Crossbone County)
11: Convertible Cadillac
12: Ain't She Mean
13: Sure Had A Wonderful Time Last Night
14: I Miss You So
15: Hey Jacobia
16: Why
17: Lady Luck
18: When You're Finished Talkin'

 

Artikeleigenschaften von The Treniers: Hey Sister Lucy

  • Interpret: The Treniers

  • Albumtitel: Hey Sister Lucy

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre Rhythm & Blues
  • Music Style Rhythm & Blues
  • Music Sub-Genre 251 Rhythm & Blues
  • Label Bear Family Records

  • Preiscode AH
  • SubGenre R&B Music - Classic R&B

  • EAN: 4000127154194

  • Gewicht in Kg: 0.115
 
 

Interpreten-Beschreibung "Treniers, The"

The Treniers

For more than half a century, the Treniers rocked packed nightclubs from New York and Wildwood, New Jersey to Las Vegas and L.A.'s Sunset Strip. Nobody put on a wilder show; it was proud family tradition. Long before rock 'n' roll was officially christened, their hilarious, often improvised antics were as zany and athletic as the genre's primordial era got, though their demographics were anything but teenaged. Were they the rockingest lounge act of all time?

"I'm a little prejudiced. I think they were. I think they were the most copied, too," says Milt Trenier, youngest of the performing brothers. "One reason why we didn't become as popular as some of the recording artists was because our records–-we were doing choreography. We were doing that way before the Temptations and the Four Tops and everybody else." True, their platters couldn't fully capture the eye-popping visual appeal of their live presentation. Yet when the Treniers rocked on record, walls shook and ceilings crumbled.

Identical twins Claude and Cliff were the ringleaders, careening non-stop across the stage as they sang, danced, and cut up with total gleeful abandon, never letting the action cool or allowing their limber legs to stop moving. The Treniers brought R&B and rock 'n' roll to Vegas, their hip brand of jumping jive clicking with adults swilling cool alcoholic libations inside late-night lounges. Their rock-solid combo, anchored by alto sax dynamo Don Hill and bandleading pianist Gene Gilbeaux, kept the red-hot rhythms flowing from dusk 'til dawn and beyond. 

Long before Bill Haley & His Comets crashed the national consciousness, a then-unknown Haley crossed paths with the Treniers in Wildwood in 1950. "The first place we worked there was called the Riptide. That's when Bill Haley came in," says Milt. "He said, 'What kind of music are you guys doing?' He was doing what they called country and western at the time. Then he started putting in some of his swing and rhythm into it, sort of similar to what we were doing." Granted, the Treniers weren't Haley's sole bridge from hillbilly to rock 'n' roll. But as Milt adds, "A lot of it was borrowed from the Treniers!"

The Treniers also proved influential to honking saxman Jimmy Cavallo, in all likelihood the East Coast's first Caucasian jump bluesman."My first professional gig on the road was opposite the Treniers, one of the greatest rhythm and blues bands in the business," says Cavallo. "When I opened (at) Wildwood, these were the cats I played with. They were the headliners; I was second to the headliners. There was another act under me. I was out there with them cats, and happy."

Longtime Vegas lounge favorites Freddie Bell & the Bellboys closely patterned their energetic routines after what the Treniers wrought, utilizing practically identical instrumentation. "He met us in Wildwood. He was shining shoes in front of the Beachcomber, where we were appearing," says Milt. "So when he actually got his group together and he first went to Vegas, they did every song that we did."

"The Treniers were a heavy influence on me, from Wildwood," said the late Philly-born Bell. "We were all kids, working in Wildwood--sort of a rock 'n' roll resort." Claude and Cliff even gave Freddie anickname that led to his biggest record in 1956. "The Treniers always called me Ding Dong," he said. "And I wrote a song called 'Giddy-Up-A Ding Dong.' 

The Treniers were right up there with the Platters and Haley's Comets when it came to appearing in 1950s rock 'n' roll films. They noticeably amped up the energy level in any quickie flick they lip-synched a number in, no doubt a major factor in why they were invited to participate in so many. The group cut a string of sizzling singles for OKeh Records during the first half of the decade that were seminal proto-rock 'n' roll. Yet the chart gods weren't kind: The Treniers somehow only managed one genuine R&B hit, 1951's Go! Go! Go!

from BCD16164 - TRENIERS Rock
Read more at: https://www.bear-family.com/treniers-rock.html
Copyright © Bear Family Records

 
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