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Big Joe Turner The Forties 1947-1949 Vol.2 (CD)

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(1947-49) (46:22/18) Über zwei Einzel-CDs gestreckte Übersicht mit vielen... mehr

Big Joe Turner: The Forties 1947-1949 Vol.2 (CD)

(1947-49) (46:22/18) Über zwei Einzel-CDs gestreckte Übersicht mit vielen erfolgreichen und stilprägenden Titeln von einem der größten Blues-Shouter seiner Ära / released on two volumes, this set presents some of the finest early R&B. Turner was one of the most important blues shouters of his era.

Artikeleigenschaften von Big Joe Turner: The Forties 1947-1949 Vol.2 (CD)

  • Interpret: Big Joe Turner

  • Albumtitel: The Forties 1947-1949 Vol.2 (CD)

  • Label ACROBAT

  • Genre Jazz

  • Artikelart CD

  • EAN: 0824046018528

  • Gewicht in Kg: 0.1
Turner, Big Joe - The Forties 1947-1949 Vol.2 (CD) CD 1
01 Around The Clock Pt.1 Big Joe Turner
02 Around The Clock Pt.2 Big Joe Turner
03 Hollywood Bed Big Joe Turner
04 Radar Blues Big Joe Turner
05 Trouble Blues Big Joe Turner
06 Wine O Baby Boogie Big Joe Turner
07 B&O Blues Big Joe Turner
08 Christmas Date Boogie Big Joe Turner
09 Tell Me Pretty Baby Big Joe Turner
10 Old Piney Brown's Gone Big Joe Turner
11 Baby Won't You Marry Me Big Joe Turner
12 My Heart Belongs To You Big Joe Turner
13 Boogie Woogie Baby Big Joe Turner
14 Rainy Weather Blues Big Joe Turner
15 I Don't Dig It Big Joe Turner
16 Ooh Ouch Stop Big Joe Turner
17 Wish I Had A Dollar Big Joe Turner
18 Fuzzy Wuzzy Honey Big Joe Turner
Big Joe Turner Tipping the scales in the vicinity of 300 pounds and well into his 40s when... mehr
"Big Joe Turner"

Big Joe Turner

Tipping the scales in the vicinity of 300 pounds and well into his 40s when rock 'n' roll blasted into the mainstream consciousness during the mid-1950s, Big Joe Turner was probably the unlikeliest star of the idiom's primordial era. Elvis hadn't even made his debut on the planet yet when Big Joe's booming voice shook the walls of swinging Kansas City gin joints on a nightly basis. Roll 'Em Pete, Turner's 1938 boogie masterpiece with pianist Pete Johnson, anticipated the primal excitement of rock 'n' roll in its relentless rhythmic drive, and his horn-powered postwar jump blues helped lay the foundation for the musical revolution that would soon follow. Unlike many of his peers who sadly fell forgotten by the wayside upon rock 'n' roll's rise, Turner would actually profit from the shift in demographics.

When Big Joe stepped up to sing, trivialities like microphones were an unnecessary luxury. During his formative years in Kansas City, it was said with no small degree of reverence that he could belt the blues from clear across the street while his band kept right on rocking the house where he originally counted the song off without the outsized singer ever missing a beat. It didn't hurt that the functionally illiterate Turner stockpiled a seemingly infinite storehouse of blues lyrics in his head that could be plugged into any song at any tempo. Big Joe was never more devastating than when he stood like an immovable mountain in front of a roaring bank of horns and a storming rhythm section, swinging like crazy on an open-ended up-tempo cooker that drove dancers and listeners alike into a frenzy.

Kansas City's indigenous brand of blues differed considerably from the blues styles developed in other parts of the country in that many of its leading practitioners hailed from a strong jazz background. Another distinguishing factor was K.C.'s reliance on huge horn sections. The city boasted an incredible array of influential big bands led by titans such as Count Basie, Jay McShann, Benny Moten, and Andy Kirk that deftly blended swing and blues into one irresistibly appealing whole. That Big Joe was exposed early and often to such jumping fare no doubt played an incalculable part in his development.

Horns aside, all Turner really required for accompaniment was a masterful pianist. To that end, he partnered with Pete Johnson, one of the very best in town, early in his amazing career. Together they helped fuel a full-scale boogie-woogie craze when they took New York by storm in the late '30s. Johnson was no longer there to accompany Turner when the singer launched his second extended stint in the limelight during the early 1950s, but that unquenchable penchant for stomping boogies that he helped instill in his younger partner stuck with Big Joe like glue to the very end.

Born May 18, 1911 in Kansas City, Big Joe was perfectly situated to follow his life's destiny. Under the corrupt regime of politician 'Boss' Thomas Pendergast, the town's plethora of nightclubs stayed open around the clock, serving up booze and all-night jam sessions where local musicians honed their chops and visiting stars sat in to test themselves against K.C.'s finest. This was a thrilling scene where a young singer like Big Joe owning rafter-rattling pipes could quickly establish himself as a force to be reckoned with...

from BCD17215 - Big Joe Turner Big Joe Turner - Rocks
Read more at: https://www.bear-family.de/turner-big-joe-big-joe-turner-rocks.html
Copyright © Bear Family Records

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Tracklist
Turner, Big Joe - The Forties 1947-1949 Vol.2 (CD) CD 1
01 Around The Clock Pt.1
02 Around The Clock Pt.2
03 Hollywood Bed
04 Radar Blues
05 Trouble Blues
06 Wine O Baby Boogie
07 B&O Blues
08 Christmas Date Boogie
09 Tell Me Pretty Baby
10 Old Piney Brown's Gone
11 Baby Won't You Marry Me
12 My Heart Belongs To You
13 Boogie Woogie Baby
14 Rainy Weather Blues
15 I Don't Dig It
16 Ooh Ouch Stop
17 Wish I Had A Dollar
18 Fuzzy Wuzzy Honey