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Bill Monroe Blue Grass 1970-1979 (4-CD)

Blue Grass 1970-1979 (4-CD)
 
 
 

Artikel-Nr.: BCD15606

Gewicht in Kg: 1,200

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

79,95 € *
 
 
 
 
 

Bill Monroe: Blue Grass 1970-1979 (4-CD)

4-CD Box (LP-Format) mit 31-seitigem Buch, 99 Einzeltitel. Spieldauer ca. 277 Minuten.

In den letzten Jahren bis zu seinem Tod im Jahre 1996 galt Bill Monroe als Senior-Botschafter des Bluegrass. Seit den Siebzigerjahren hatte Bill Monroe weltweit Beachtung gefunden. Damals machte er noch immer feine Musik und lockte die Cr CD-Box enthält das 'Bean Blossom'-Album sowie acht weitere Original Decca/MCA-Alben. Das 'Uncle Pen'-Album ist ebenfalls dabei. Es wird gemeinhin als eines seiner besten schlechthin bezeichnet. Die insgesamt 90 Aufnahmen dieses Sets stellen auch die jungen Löwen des Bluegrass vor wie Marty Stuart, Seite an Seite mit Veteranen wie Jim & Jesse und Kenny Baker

4-CD Box (LP-Format) mit 31-seitigem Buch, 99 Einzeltitel. Spieldauer ca. 277 Minuten


 

Songs

Bill Monroe - Blue Grass 1970-1979 (4-CD) Medium 1
1: Texas Gallop (instrumental)
2: Road Of Life
3: It's Me Again Lord
4: Beyond The Gate
5: I Will Sing For The Glory Of God
6: Kentucky Waltz
7: The Girl In The Blue Velvet Band
8: Lonesome Moonlight Waltz (instrumental)
9: Tallahassee (instrumental)
10: Summertime Is Past And Gone
11: Rocky Road Blues
12: Muleskinner Blues
13: Poor White Folks
14: The Old Gray Mare Came Tearing Out Of The...
15: Kiss Me Waltz (instrumental)
16: Jenny Lynn (instrumental)
17: Heel And Toe Polka (instrumental)
18: Milenburg Joy (instrumental)
19: Sweetheart You Done Me Wrong
20: Banks Of The Ohio
21: Tall Pines
22: Mother's Only Sleeping
23: Foggy Mountain Top
24: Love Please Come Home
25: What Would You Give In Exchange?
26: When The Golden Leaves Begin To Fall
27: Walls Of Time
28: My Old Kentucky And You
Bill Monroe - Blue Grass 1970-1979 (4-CD) Medium 2
1: Hit Parade Of Love MARTIN, Jimmy
2: Mary Ann  
3: Sunny Side Of The Mountain  
4: Freeborn Man  
5: Tennessee  
6: Love Please Come Home MONROE, James  
7: Train (instr.)  
8: Bonny  
9: When My Blue Moon Turns To Gold Again  
10: Ole Slewfoot JIM & JESSE  
11: Sweet Little Miss Blue Eyes  
12: Please Be My Love  
13: I Wish You Knew  
14: Roll In My Sweet Baby's Arms FLATT, Lester  
15: Feudin' Banjos (instr.)  
16: Ballad Of Jed Clampett  
17: Mule Skinner Blues (Blue Yodel #8) MONROE, Bill  
18: You Won't Be Satisfied That Way  
19: Uncle Pen  
20: Blue Moon Of Kentucky  
21: Roll On Buddy BILL & JAMES MONROE  
22: I Wonder Where You Are Tonight BILL MONROE & JIM & JESSE  
23: Orange Blossom Special (instr.) BILL MONROE & CARL JACKSON  
24: Down Yonder (instr.)  
25: Soldier's Joy (instr.)  
26: Grey Eagle (instr.)  
27: Swing Low, Sweet Chariot  
Bill Monroe - Blue Grass 1970-1979 (4-CD) Medium 3
1: Show Me The Way  
2: Jerusalem Ridge (instrumental)  
3: Ashland Breakdown (instrumental)  
4: Mary Jane, Won't You Be Mine  
5: Old, Old House  
6: Watson Blues (instrumental)  
7: Thank God For Kentucky  
8: Reasons Why  
9: Weary Traveler  
10: My Cabin In Caroline  
11: No Place To Pillow My Head  
12: My Sweet Blue Eyed Darling  
13: Monroe's Blues (instrumental)  
14: The First Whippoorwill  
15: Lucky Lady (instrumental)  
16: My Louisiana Love  
17: Christmas Time's A-Coming  
18: Texas Blue-Bonnet (instrumental)  
19: The Sunset Trail  
20: My Sweet Memory  
21: She's Young And I'm Growing Old  
22: Blue Goose (instrumental)  
Bill Monroe - Blue Grass 1970-1979 (4-CD) Medium 4
1: That's Christmas Time To Me  
2: Pinewood Valley (instr.)  
3: My Flroida Sunshine  
4: Wabash Cannon Ball  
5: Hard Times Have Been Here (But They've...)  
6: Six Feet Under The Ground  
7: Who's Gonna Shoe Your Pretty Little Feet  
8: Jake Satterfield  
9: Muddy Waters  
10: Corrina, Corrina  
11: Have Feast Here Tonight  
12: Golden River  
13: I'm Going Back To Old Kentucky  
14: Those Memories Of You  
15: Intro: Watermelon Hangin' On The Vine  
16: Rocky Road Blues  
17: The Little Girl And The Dreadful Snake  
18: In Despair  
19: Molly And Tenbrooks Medley: Little Maggie/  
20: Train 45/Blue Moon Of Kentucky  
21: John Henry  
22: Dog House Blues  
23: The Old Mountaineer (instr.)  
24: Little Cabin Home On The Hill  
25: Orange Blossom Special  
26: Y'All Come  

 

Artikeleigenschaften von Bill Monroe: Blue Grass 1970-1979 (4-CD)

  • Interpret: Bill Monroe

  • Albumtitel: Blue Grass 1970-1979 (4-CD)

  • Artikelart Box set

  • Genre Country

  • Music Genre Country Music
  • Music Style Bluegrass
  • Music Sub-Genre 101 Bluegrass
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode DI
  • SubGenre Country - Bluegrass

  • EAN: 4000127156068

  • Gewicht in Kg: 1.200
 
 

Interpreten-Beschreibung "Monroe, Bill"

Bill Monroe

Record Labels: RCA, Columbia, Harmony, Decca, MCA, Stetson, Rebel
Erster Hit: Scotland (1958)

Bill Monroe, The Father Of Bluegrass Music, begann seine Schallplattenkarriere 1936 zusammen mit seinem Bruder Charlie als "The Monroe Brothers“. Neben den Blue Sky Boys zählten die Monroes zu den populärsten Duos der 30er Jahre. Nach der Trennung von Charlie 1938 gründete Bill zunächst eine Gruppe die er „Kentuckians“ und wenig später "Bluegrass Boys“ nannte. 1940 spielte er die ersten Aufnahmen für RCA ein, doch erst nach dem Zweiten Weltkrieg folgten die ersten Aufnahmen in jenem Stil, der im Verlauf der Jahre als „Bluegrass“ in die Geschichte der Country Music eingehen sollte.

Genau am 16. September 1946 wurden die ersten Bill Monroe Aufnahmen in den Castle Studios von Nashville - Tennessee aufgenommen, die man als Bluegrass bezeichnen kann, gekennzeichnet nicht nur durch Bill Monroe`s hohe scharfe Stimme und den harten Drive der Band, sondern vor allem durch das im 3-Finger-Stil gespielte 5-String-Banjo von Earl Scruggs. Das war für Columbia Records. Als Columbia dann später mit den Stanley Brothers eine weitere Bluegrass Band unter Vertrag nahm, verließ Monroe das Unternehmen und ging zur Decca, der späteren MCA. Bill Monroe, der mit seiner Band den Bluegrass Stil kreierte, hat selbst wenig zur Weiterentwicklung dieses Stils beigetragen. Dies haben andere besorgt. Er selbst spielt noch heute nach dem alten Konzept, hat keine weiteren Instrumente als Fiddle, Banjo, Gitarre, Mandoline und Bass zugelassen und singt noch immer hoch und scharf. Dennoch, die wichtigsten Bluegrassmusiker sind mehr oder weniger lang durch die harte Schule von Bill Monroe hindurch: Clyde Moody, Howdy Forrester, Don Reno, Red Smiley, Jimmy Martin, Carter Stanley, Vassar Clements, Chubby Wise und Byron Berline. 1970 wurde Bill Monroe in die Country Music Hall Of Fame aufgenommen.

 Bill Monroe

William Smith Monroe was born on September 13, 1911 near Rosine, Ohio County, Kentucky. His older brother Charles had been born on July 4, 1903. Bill was the youngest child of the eight children born to Malissa Vandiver and James Buchanan 'Buck' Monroe, a local farmer, coal miner, and timber cutter. Rosine was far from the rugged mountains of eastern Kentucky, but was set in the rolling hills of the western end of the state, about 30 miles from the Ohio River. Young Bill, like the rest of his family, grew up doing hard physical chores on the family's 653-acre farm -- an experience that instilled in him a work ethic that would dominate his life.

 The Monroe children relaxed with music. Buck Monroe was an especially fine flat-foot dancer, often featuring a dance called the 'Kentucky Back-Step,' and three of the sons--Birch, Charlie, and Bill--would later begin their careers by doing such dancing on stage. The brothers learned music from their mother, who sang the old classic ballads; from their Uncle Pen Vandiver, who was the region's best-known square dance fiddler; from the shape-note singing schools local churches and travelling teachers held in the summer; from local black musicians like Arnold Shultz, who played a blues-tinged thumbpicking guitar style; and from the stars of Chicago station WLS's 'National Barn Dance,' such as Mac and Bob, blind musicians who used mandolin and guitar; and The Prairie Ramblers, a hot string band from western Kentucky that featured a mandola. Bill --along with thousands of others-- also admired the Victrola records of Vernon Dalhart, Jimmie Rodgers, and Bradley Kincaid.

It was the younger of the Monroe children who became most involved with the music. Older brother Birch took up the fiddle, and Charlie and sister Bertha began playing guitar. When Bill was eight or nine, he began fooling around with instruments, mainly the guitar and mandolin; he really wanted to specialize in the fiddle or guitar, but as the youngest and smallest he was stuck with the mandolin in the family music sessions. In later years, Bill liked to tell about how his brothers would only let him use four strings on the mandolin (instead of the usual eight) so he wouldn't sound too loud.

1921 Malissa Monroe died and it was several years after this that Bill started playing music seriously. He began by playing guitar backup for his Uncle Pen at dances, and later spoke of Pen as "the fiddler that I learned to play from."  He also began to play dances with Arnold Shultz, a local black guitar player who was comfortable playing the blues, traditional Anglo tunes, pop music, and even jazz. (Friends of Shultz recall that he used to spend winters in New Orleans, where he picked up a fondness for 'passing' chords.) In 1927, when Bill was only 16, his father Buck Monroe passed away as well, and since his older brothers and sisters had already moved away, he was sent to live with his Uncle Pen. Bill continued to learn music from him.

Birch and Charlie Monroe, like so many young men in the late 1920s, had left the farm and gone north to work in the new factories supplying the auto industry. For a time they were in Detroit, and then moved to the East Chicago area, first to Hammond and then to Whiting, where they found jobs in oil refineries. Around 1929 Bill, who was now 18, came north to join them. His first job was working in the barrel house at the Sinclair refinery in which he moved huge, heavy drums of oil all day long--something that built his physique up to that resembling a weight lifter. It was a bruising job, but with the Depression hitting, it was the best available; Bill kept it for five years. Some of his brothers who had 'lighter' jobs were often out of work during these years, leaving young Bill as the sole support for parts of the family.

From booklet BCD16399 - Bill Monroe 1936-1949 (6-CD)
Read more at: https://www.bear-family.de/monroe-bill-1936-1949-6-cd.html
Copyright © Bear Family Records

 
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