Ray Scott CD: Guitar For Sale (CD)

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Artikel-Nr.: CDTHG22402
Gewicht in Kg.: 0.1

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(2017/Jethropolitan) 11 tracks (41:58) digipac. mehr

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Ray Scott: Guitar For Sale (CD)

(2017/Jethropolitan) 11 tracks (41:58) digipac.

Video von Ray Scott - Guitar For Sale (CD)

Artikeleigenschaften von Ray Scott: Guitar For Sale (CD)

Interpret: Ray Scott
Albumtitel: Guitar For Sale (CD)
Genre Country
Label JETHROPOLITAN
Artikelart CD
EAN: 0020286224020
Gewicht in Kg: 0.1

Scott, Ray - Guitar For Sale (CD) CD 1
01	Livin’ This Way
02	Put Down The Bottle
03	The Fire
04	Soberin’ Up
05	Pray For The Fish
06	Put Down That Gun
07	Growin’ Old
08	Worth Killin’ For
09	Life Ain’t Long Enough
10	Doin’ Me Wrong
11	Guitar For Sale

RAY SCOTT I'm Gonna Make You Love Me (previously unissued) Tonight Will Be The Last Night... mehr

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"Ray Scott"

RAY SCOTT

I'm Gonna Make You Love Me (previously unissued) Tonight Will Be The Last Night (previously unissued)

Memphis singer/songwriter Ray Scott is assured of eternal recognition in the rockabilly Hall of Fame as the composer of Billy Riley's Flyin' Saucers Rock 'n' Roll. He also saw his name on several small Memphis labels, including an early Satellite (soon to become Stax) release, and composed one side of Thomas Wayne's first Fernwood record - the rocker You're The One That Done It.

As these two demos reveal, however, Scott's heart was a lot closer to the country side of rockabilly. On these sides, which have remained unissued in the Sun Vault for 45 years, we have the original demo of Tonight Will Be The Last Night, a song he managed to place with Warren Smith. Smith's version, cut in 1956, remained unissued until the golden era of rockabilly archaeology in the 1970s. I'm Gonna Make You Love Me fared less well and has remained unrecorded (by others) and unreleased until now.

It's a stone country song in a style that would have been at home on a Hank Williams session, but also features the kind of rhythmic energy that pointed the way to rockabilly. The melody is quite catchy but the song is undercut by some awkward rhymes. Scott paints himself into a lyrical corner when he chooses to use "hug my neck" as a payoff line for "bottom of the deck." Material like this, despite all its rural charm, was not going to thrive in the country or rockabilly marketplace in 1956. If anyone could get away with such hackneyed rhymes it was Elvis, which is precisely what the King did two years hence. "Won't you wear my ring / around your neck / to show the world / I'm yours by heck."

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