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Sly & The Family Stone Fresh - HQ Vinyl

Artikel-Nr.: SLP5148

Gewicht in Kg: 0,200

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

26,95 € *
 
 
 
 
 

Sly & The Family Stone: Fresh - HQ Vinyl

Stripped down and funky beyond words, 1973's Fresh ist ganz einfach die das letzte großartige Album von Sly &, The Family Stone. Funkadelic Guru George Clinton, ein Mann, der etwas über Genre-Kreuzverdrahtung weiß. Frisch als einer seiner absoluten Favoriten und überzeugte den Red Hot Chili. Paprika zum Schneiden von 'If It Were Left Up To Me' für ihre 1985er Clinton produzierte LP Freaky Styley.

Jazz-Ikone Miles Davis Berichten zufolge hat sich seine Band hingesetzt, um die Inspiration von verschiedenen playings of Fresh, ein Werk, das in Rolling Stone's Top 500 Rock auf Platz 186 rangiert. Alben aller Zeiten. 'If You Want Me To Stay', 'Frisky' und 'If It Were Left Up To Me' haben alle viel Airplay und Chart-Action, das letzte von Slys Arbeiten, um eine solche Behandlung zu erzielen. Nach dem beinahe gruseligen politisches Manifest von 1971's There's A Riot Goin' On, Fresh seems besonders, naja, frisch! Und auch ein bisschen böse!
 

Songs

Sly & The Family Stone - Fresh - HQ Vinyl Medium 1
1: In Time
2: If You Want Me To Stay
3: Let Me Have It All
4: Frisky
5: Thankful N' Thoughtful
6: Skin I'm In
7: I Don't Know (Satisfaction)
8: Keep On Dancin'
9: Que Sera Sera (Whatever Will Be Will Be)
10: If It Were Left Up To Me
11: Babies Makin' Babies

 

Artikeleigenschaften von Sly & The Family Stone: Fresh - HQ Vinyl

  • Interpret: Sly & The Family Stone

  • Albumtitel: Fresh - HQ Vinyl

  • Artikelart LP

  • Genre R&B, Soul

  • Music Genre R&B / Soul
  • Music Style Vinyl - Soul
  • Music Sub-Genre 556 Vinyl - Soul
  • Plattengröße LP (12 Inch)
  • Geschwindigkeit 33 U/min
  • Record Grading Mint (M)
  • Sleeve Grading Mint (M)
  • Label SUNDAZED

  • Preiscode VLP2
  • SubGenre R&B Music - Soul

  • EAN: 0090771514813

  • Gewicht in Kg: 0.200
 
 

Interpreten-Beschreibung "Sly & The Family Stone"

Inez & Charlie Foxx

(1-2-3-4-5-6-7) Count The Days

Sly & The Family Stone

Dance To The Music

(Sylvester Stewart)

Epic 10256

>P< 1968

 

Here's where rock and soul and funk and psychedelia all fused together in one cataclysmic explosion, inexorably altering the future of R&B in the process.

 

Sly Stone—or Sylvester Stewart, as he was born March 15, 1944 in Dallas—had distinguished himself on the Bay Area music scene while still in his teens. He recorded 45s with The Stewart Brothers, The Viscaynes, and as both Danny and Sylvester Stewart before delving heavily into studio work for KYA deejays/concert promoters Bob Mitchell and Tom Donahue's fledgling Autumn Records. There Sly produced Bobby Freeman's brassy 1964 dance smash C'mon And Swim  and The Beau Brummels' '65 hits Laugh, Laugh and Just A Little, finding time to making a few singles of his own (I Just Learned How To Swim and the two-parters Buttermilk and Temptation Walk).

Sly & The Family Stone came together in late 1966, not long after Autumn ceased operations. It was a merger of two previous groups, The Stoners and Freddie & The Stone Souls, neither of whom ever made it into a studio. The new lineup

consisted of Sly on keyboards and guitar, his brother Freddie on guitar and their sister Rose on keys, string-popping bassist Larry Graham, drummer Gregg Errico, trumpeter Cynthia Robinson, and saxist Jerry Martini.

Sly did the lion's share of the lead singing, but the liberating vocal interplay between everyone but Cynthia and Gregg meant that the rest shared essential mic time. Epic Records exec David Kapralik caught their freewheeling act and was so knocked out that he not only brought them aboard Epic, he signed on as their manager. The group didn't fit into any conceivable niche, and their aptly titled '67 debut LP 'A Whole New Thing' slipped right through the cracks, major label association or not.

Sly and his Family would have to create their own niche, and that's precisely what they did with the throbbing rocker Dance To The Music. A brisk, bright horn riff and an acappella singalong at the top offer an irresistible invitation to head straight for the dance floor, and several members of the group introduce themselves with a hot lick and a line or two (organist Sly harks back to Mustang Sally for his "Ride, Sally, ride" mention).

Dubbed 'psychedelic soul,' the extremely innovative hybrid that Sly & The Family Stone brewed up had no direct precedent. But this interracial group would soon have a whole lot of followers. 

 

- Bill Dahl -

Various - Sweet Soul Music

Various - Sweet Soul Music 29 Scorching Classics From 1968

Read more at: https://www.bear-family.de/various-sweet-soul-music-29-scorching-classics-from-1968.html
Copyright © Bear Family Records

 
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