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Titus Turner Taking Care Of Business (1955-1962)(2-CD)

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  • CDJAS3038
  • 0.12
(Jasmin) 49 Titel, 6-seitiges Booklet. Original Wing, Atlantic, King, Glover, Jamie, Enjoy... mehr

Titus Turner: Taking Care Of Business (1955-1962)(2-CD)

(Jasmin) 49 Titel, 6-seitiges Booklet. Original Wing, Atlantic, King, Glover, Jamie, Enjoy recordings, 1955-1962, inkl. 4 Outtakes und die berühmtes'Sound Off' Album von 1961.

Artikeleigenschaften von Titus Turner: Taking Care Of Business (1955-1962)(2-CD)

  • Interpret: Titus Turner

  • Albumtitel: Taking Care Of Business (1955-1962)(2-CD)

  • Label JASMINE

  • Genre R&B, Soul

  • Artikelart CD

  • EAN: 0604988303827

  • Gewicht in Kg: 0.12
Turner, Titus - Taking Care Of Business (1955-1962)(2-CD) CD 1
01 ALL AROUND THE WORLD
02 SWEET AND LOW
03 BIG JOHN
04 GET ON THE RIGHT TRACK BABY
05 HUNGRY MAN
06 A-KNOCKIN' AT MY BABY'S DOOR
07 HAVE MERCY BABY
08 HOLD YOUR LOVIN'
09 WAY DOWN YONDER
10 CORA LEE
11 THE RETURN OF STAGOLEE
12 TARZAN
13 FALL GUY
14 MISS RUBBERNECK JONES
15 WE TOLD YOU NOT TO MARRY
16 TAKING CARE OF BUSINESS
17 GET UP BETTY JEAN
18 COOL DOWN
19 I'M SET IN MY WAYS
20 SOUND OFF (Duckworth Chant)
21 ME AND MY LONELY TELEPHONE
22 PONY TRAIN
23 BLA, BLA, CHA CHA CHA
24 HEY DOLL BABY
25 I WANT A LITTLE GIRL
Turner, Titus - Taking Care Of Business (1955-1962)(2-CD) CD 2
01 HORSIN' AROUND
02 CHANCES GO AROUND
03 NEVER NEVER NOTHIN'
04 I BET YOU SHUT YOUR BIG MOUTH
05 DAY IN, DAY OUT
06 SWEET GEORGIA BROWN
07 KNOCK ME A KISS
08 I'LL ALWAYS BE IN LOVE WITH YOU
09 LEFT RIGHT OUT OF YOUR HEART
10 BLUE MOON
11 THE GLORY OF LOVE
12 THE BULL RUN
13 YOU STAYED AWAY TOO LONG
14 BUILD A BRIDGE
15 FOOLISH PRIDE
16 BEAUTIFUL STRANGER
17 SHAKE THE HAND OF A FOOL
18 WALK ON THE WILD SIDE TWIST
19 TWISTIN' TRAIN
20 PEOPLE SURE ACT FUNNY
21 MY DARKEST HOUR
22 BOW WOW
23 I LOVE YOU BABY
24 SOULVILLE
Titus Turner Far from the sophisticated streets of Harlem, Detroit, and Chicago, the music of... mehr
"Titus Turner"

Titus Turner

Far from the sophisticated streets of Harlem, Detroit, and Chicago, the music of black America put aside all uptown pretensions and dug bare toes into the raw, red earth of the South. Cool jazz was as foreign as Greek to the black farmers and factory workers; manicured, processed black crooners singing slick Tin Pan Alley songs were like visitors from another planet. The music was as steamy as the summer nights and in this hothouse Rhythm & Blues grew like a weed.

Atlanta, Georgia, smack dab in the middle of the Old South, was a hornet's nest of music and song in the late 1940s, buzzing with the new jumping jive from Los Angeles and New Orleans. Local bands vied for attention with the top stars: Joe Liggins, Roy Milton, Paul Gayten, Buddy Johnson, Bullmoose Jackson. Those far-traveling black performers had a problem not shared by their white counterparts - finding a place to stay in Southern towns. Sleeping in spare rooms or out-back shacks loftily called 'Colored Hotels' was the usual solution. In Atlanta, Mama Carrie changed all that.
In the 1940s, Carrie 'Mama' Cunningham, a matronly former circus rider, turned a dilapidated building on the corner of Auburn (`Sweet Auburn') and Butler into the Royal Hotel, fifty rooms of sartorial splendor, at least when compared to what else was available. A few years later, she bought the old Top Hat Club, half a block down Auburn, and transformed it into Atlanta's number one black night spot, The Royal Peacock Club.

The Royal Peacock, occupying the entire second floor of the building at 185 Auburn Avenue, attracted the best in entertainment simply because it was best place in town to play. From 1949 to 1973, the Peacock had them all: Jackie Wilson, Sam Cooke, Little Richard, Marvin Gaye, Otis Redding, Ben E. King, Chuck Jackson, Lavern Baker, Howlin' Wolf, Fats Domino, Chuck Willis, Dinah Washington, and the Midnighters, Dominoes, Drifters, Four Tops, and Dells. The first tenor of The Dells, Marvin Junior, recalled, 'The Peacock was 'the' stop in those days. We used to play Atlanta maybe six times a year. We had one other place we played in Atlanta, the Magnolia Ballroom. In the place there was a fight every night. Just a bunch of fights you could count on. When we'd play there we had to be braced for it, you know. We enjoyed working the Peacock because it had a little more class. It was a classy place for that time and circuit. And we'd look forward to staying in that hotel.'

Into this heady atmosphere of top R & B stars, chorus girls, comedians, and shake dancers in 1949, stepped a handsome and confident 16-year old singer, Titus Turner. Turner didn't have far to travel to get to the top night spot in Atlanta. It just was a two-block walk from his home in the Grady Homes Projects on Decatur Street, where he was born on May 1, 1933. His father was a Pentacostal bishop and his mother, Essie, sang in the church choir. In his family of three brothers and six sisters, only Titus showed remarkable musical talent at an early age.

While still attending the David T. Howard high school, Turner had walked off with top honors in several annual amateur contests, known as 'Stunt Night Shows'. This led to an audition at the Royal Peacock and signing on as `Mr. T.' Because of his age, he was allowed to perform on weekends only, but in 1950 he was signed by Aladdin Records and left on a cross-country tour with Amos Milburn and Charles Brown...

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