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Chet Atkins Mr. Guitar 1955-1960 (7-CD)

Mr. Guitar 1955-1960 (7-CD)
 
 
 

Artikel-Nr.: BCD16539

Gewicht in Kg: 2,250

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

139,95 € *
 
 
 
 
 

Chet Atkins: Mr. Guitar 1955-1960 (7-CD)

Das CD Box Set Mr. Guitar 1955-1960 mit 7 CDs und 214 Songs von Chet Atkins.

In seiner über 50 Jahre währenden Karriere hat der geniale Gitarrist Chet Atkins nahzu 100 Langspielplatten unter seinem Namen eingespielt. Die hier enthaltenen Alben aus den Jahren von 1955 bis 1960 gelten bei Fachleuten als seine maßgeblichen Werke. Mit 'Chet Atkins In Three Dimensions','Stringin’ Along With Chet Atkins', 'Finger-Style Guitar', 'Hi-Fi In Focus' und 'Chet Atkins At Home' hob er die Grenzen traditioneller Country-Musik auf und erreichte auf diese Weise ein neues Publikum. Es sind keine Country-Alben, obwohl sie Songs dieses Genres präsentieren. Sie sind auch keine Jazz-Platten, obwohl Jazz- und Pop-Standards gespielt werden. Wir hören Stücke von Bach, Brahms und Chopin, und doch haben die LPs nur bedingt etwas mit Klassik zu tun. Und trotz Kompositionen von Ernesto Lecuona geht es hier nicht um ausgewiesenen Flamenco.

Dieses Box Set mit 7 CDs enthält außerdem die kompletten LPs 'Mister Guitar', 'Teensville', 'Chet Atkins' Workshop' und auch 'The Other Chet Atkins', die spanische Gitarrenmusik zum Thema hat. Die Titel des orchestrierten, in Living Stereo veröffentlichten LP-Klassikers 'Chet Atkins In Hollywood' gibt es hier in der exzellenten Fassung von 1958. Viele andere Songs waren bislang nur auf Vinyl-Singles und EPs erhältlich, wie etwa diejenigen, die als 'The Rhythm Rockers Featuring Chet Atkins' auf den Markt kamen. 16 RCA Victor-Master und Alternativ-Versionen waren bislang gänzlich unveröffentlicht. Ebenfalls dabei sind zwei damals verworfene Projekte, My Brother Sings (Gesang: Jim Atkins) und ein Tribute an Elvis Presley. Untergebracht sind ferner 20 bisher nie im Handel erhältliche SESAC-Aufnahmen und die 1959er-LP
'Hum And Strum'.

Die CD-Box ist die Zusammenfassung des künstlerischen Schaffens von Chet Atkins der Jahre 1955 – 1960. Junge, aber auch erfahrene Gitarristen haben Stunde um Stunde mit diesen Alben verbracht, um
Chet Atkins' einmaliger Technik auf die Schliche zu kommen. Die Liste der Künstler, die Chet Atkins umwerfender Virtuosität viel verdanken, nimmt kein Ende: Jerry Reed, Carl Perkins, Lenny Breau, George Harrison, Dave Edmunds, Mark Knopfler, Doc Watson, Scotty Moore, Marty Stuart, Richard Bennett, Thom Bresh, Leo Kottke, Buster B. Jones – um nur einige zu nennen.

Die Ventures haben ihren Hit Walk Don't Run von der Chet Atkins-Einspielung aus dem Jahr 1957 gelernt (sie ist hier zu hören!). Zu Chet Atkins Meisterstücken gehören außerdem The Poor People Of Paris,
In The Mood, Tiger Rag, Trambone, Blue Echo, Petite Waltz, Yankee Doodle Dixie, Jitterbug Waltz, Django’s Castle und das rhythmische Boo Boo Stick Beat, das hier gleich in zwei Versionen angeboten wird.

Als Bonus enthält diese Box darüber hinaus Chet Atkins' erste bekannte Solo-Aufnahme (ein Demo-Azetat für den Sender WNOX in Knoxville von 1945) sowie alle Titel der sehr seltenen EP 'A Most Happy Fella' – hier begleitet Chet Atkins Eddy Arnold auf Songs aus dem gleichnamigen 'Frank-Loesser-Musical' von 1956.

Autor Rich Kienzle zeichnet in einem 112 seitigem Buch Chet Atkins Leben und Werk in den betreffenden Jahren nach – natürlich mit allen Aspekten seines gleichzeitigen Wirkens als Produzent, der maßgeblich am Entstehen des 'Nashville Sound' beteiligt war.

7-CD Box (LP-Format) mit 112-seitigem gebundenem Buch, 214 Einzeltitel, Spieldauer 513:35 Minuten


 

Songs

Atkins, Chet - Mr. Guitar 1955-1960 (7-CD) Box set 1
1: Cherry Pink And Apple Blossom White
2: Dance With Me, Henry
3: Darling, Je Vous Aime Beaucoup
4: Tweedle Dee
5: Hey, Mr. Guitar (Hey, Mr. Banjo)
6: Unchained Melody
7: Tennessee Polka
8: Blues In The Night
9: Black Mountain Rag
10: Somebody Stole My Gal
11: Shine On Harvest Moon
12: Jingle Bells
13: Christmas Carols
14: Cecilia
15: Arrivederci, Roma
16: Sleigh Bells, Reindeer And Snow(pos.M.ATKINS)
17: New Spanish Two Step
18: Intermezzo
19: Tendery
20: Minute Waltz
21: Minuet
22: From French Harpsichord Suite, Prelude From
23: Six Short Preludes
24: Schön Rosmarie
25: Tip-Toe Through The Tulips With Me
26: Arkansaw Traveler
27: Little Rock Getaway
28: Ochi Chornya (Dark Eyes)
29: Londonderry Air
30: La Golondrina (The Swallow)
31: The Poor People Of Paris (Jean's Song)
32: Honey
33: The Poor People Of...(Jean's Song)(2nd ver.)
34: Honey (2nd version)
Atkins, Chet - Mr. Guitar 1955-1960 (7-CD) Box set 2
1: The Lady Loves Me
2: New Spanish Two Step (& HANK SNOW)
3: Reminiscing (& HANK SNOW)
4: Memphis Blues
5: Oh! By Jingo
6: Hello Ma Baby
7: Indian Love Call
8: Alice Blue Gown
9: The Third Man Theme
10: Blue Gypsy
11: St. Louis Blues
12: Dance Of The Golden Rod
13: Unchained Melody
14: Gavotte In D
15: Malaguena
16: Glow Worm
17: In The Mood
18: Heartaches
19: Swedish Rhapsody
20: Waltz In A-Flat
21: Adelita
22: Petite Waltz
23: Liza
24: Trambone
25: Peanut Vendor
26: Blue Echo
27: Tricky
28: Martinique
29: Dig These Blues
30: Colonial Ballroom
31: Midnight
Atkins, Chet - Mr. Guitar 1955-1960 (7-CD) Box set 3
1: El Cumbanchero
2: Anna
3: Tiger Rag
4: Jitterbug Waltz
5: Lullaby
6: August Moon
7: Beloved
8: I Feel It In My Soul
9: The Lord Done Brought Him Out
10: The Red Leaves Of Autumn
11: Because
12: No Greater Love
13: It's About Time
14: Don't Tease My Heart
15: Fascinating Melody
16: Moon Over Burma
17: A Great Love
18: My Love Will Never Grow Old
19: Saw Mill River Road
20: Delightful Interlude
21: Head Over Heels
22: I Must Be Losing My Heart
23: I Won't Cry Anymore
24: When It's Cherry Blossom Time
25: Portuguese Washerwoman
26: You Do Something To Me
27: Shadow Waltz
28: Walk Don't Run
29: Tara's Theme
30: Lullaby Of The Leaves
Atkins, Chet - Mr. Guitar 1955-1960 (7-CD) Box set 4
1: Ain't Misbehavin'
2: Avorada
3: Bourrée
4: Johnson Rag
5: Yesterdays
6: Hidden Charm
7: You're Just In Love
8: Don't Blame Me
9: Jungle Drums
10: Czardas
11: Martha
12: Sophisticated Lady
13: April In Portugal
14: Nagasaki
15: Muskrat Ramble
16: Say 'Si Si'
17: Ay Ay Ay
18: Yankee Doodle Dixie
19: In The Chapel In The Moonlight
20: Vilia
21: Yankee Doodle Dixie
22: Siesta
23: Jessie
24: Slinkey
25: Asleep In The Deep (JIM ATKINS: vocal)
26: Out Of Nowhere (JIM ATKINS: vocal)
27: Even Tho' (JIM ATKINS: vocal)
28: When Day Is Done (JIM ATKINS: vocal)
29: I'll Be With You In Apple Blossom Time (JIM
30: ATKINS: vocal)
31: Swanee River (JIM ATKINS: vocal)
Atkins, Chet - Mr. Guitar 1955-1960 (7-CD) Box set 5
1: My Funny Valentine
2: I Know That You Know
3: Zing Went The Strings Of My Heart
4: I'm Forever Blowing Bubbles
5: Country Style
6: Estrellita
7: Little Old Lady
8: Let It Be Me
9: Meet Mister Callaghan
10: Santa Lucia
11: Armen's Theme
12: Theme From Picnic
13: The Three Bells
14: The Theme From Limelight
15: Greensleeves
16: Theme From A Dream
17: Jitterbug Waltz
18: Peek A Boo Moon
19: Backwoods
20: Walkin' The Strings
21: Beautiful Brown Eyes
22: Tennessee Waltz
23: Birmingham Jail
24: The Prisoner's Song
25: In The Good Old Summertime
26: Titanic
27: Cold Cold Heart
28: John Henry
29: Goodnight Irene
30: Music! Music! Music!
Atkins, Chet - Mr. Guitar 1955-1960 (7-CD) Box set 6
1: Bill Bailey
2: Sweet Bunch Of Daisies
3: Hello Bluebird
4: Rainbow
5: Country Gentleman
6: Piano Concerto In C Minor
7: Show Me The Way To Go Home
8: Django's Castle (Manoir De Mes Reves)
9: Blackjack
10: Boo Boo Stick Beat
11: Boo Boo Stick Beat
12: Blue Rhapsody
13: 'Til There Was You
14: High Noon
15: Take A Message To Mary
16: Sleep Walk
17: Night Train
18: One Mint Julep
19: Come Softly To Me
20: White Silver Sands
21: Hot Toddy
22: Hot Toddy (different take)
23: Till There Was You
24: Teensville
25: Oh, Lonesome Me
26: Delicado-Sabrosa
27: Maria Elena
28: Peanut Vendor
29: Marcheta
30: Begin The Beguine
31: Poinciana (Song Of The Tree)
32: Yours
Atkins, Chet - Mr. Guitar 1955-1960 (7-CD) Box set 7
1: Siboney
2: El Relicario
3: Tzena, Tzena, Tzena
4: The Street Of Laredo
5: Lambeth Walk
6: In A Little Spanish Town
7: Lullaby Of Birdland
8: Hot Mocking Bird
9: Tammy
10: Goofus
11: Theme From 'A Summer Place'
12: Whispering
13: Marie
14: Bonita
15: Whatever Will Be, Will Be
16: Sleep
17: Rainbow's End
18: Theme From 'The Dark At The Top Of The Stair'
19: Hocus Pocus
20: Blue Moon Of Kentucky
21: Heartbreak Hotel
22: It's Now Or Never
23: BONUS:
24: Warm All Over (from 'The Most Happy Fella')
25: (EDDY ARNOLD: vocal)
26: Big D (from 'The Most Happy Fella') (EDDY
27: ARNOLD: vocal)
28: Don't Cry (from 'The Most Happy Fella') (EDDY
29: ARNOLD: vocal)
30: Standing On The Corner (from 'The Most Happy
31: Fella') (EDDY ARNOLD: vocal)
32: Why Don't You Leave Me Alone
33: Empty Slippers

 

Artikeleigenschaften von Chet Atkins: Mr. Guitar 1955-1960 (7-CD)

  • Interpret: Chet Atkins

  • Albumtitel: Mr. Guitar 1955-1960 (7-CD)

  • Artikelart Box set

  • Genre Country

  • Music Genre Country Music
  • Music Style Instrumental / Guitar
  • Music Sub-Genre 109 Instrumental/Guitar
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode GK
  • SubGenre Country - General

  • EAN: 4000127165398

  • Gewicht in Kg: 2.250
 
 

Interpreten-Beschreibung "Atkins, Chet"

Chet Atkins

Amerikanischer Country-Western-Star. Feierte im Oktober 1972 sein 25jähriges Berufsjubiläum. Geboren 1932 in Ohio, begann er schon mit 11 Jahren Gitarre zu spielen. 1947 nahm Chet Atkins seine ersten Platten auf. Schnell wurde er als der beste Gitarrist Amerikas gerühmt. Obwohl er durch seine Art, Gitarre zu spielen, zahl- reiche Stars wie Carl Perkins, Johnny Cash und auch die Beatles beeinflusste, gelang es ihm doch nie, in Europa in die Hitparaden zu kommen.

Chet Atkins war immer eine graue Eminenz, die jeder kannte. Immer noch lebt er in Nashville, produziert dort zahlreiche Stars, aber in der Öffentlichkeit zeigt er sich nur selten. Auch gibt er kaum noch Konzerte.

Original Presse-Info: RCA Schallplatten GmbH

Chet Atkins


The hands of the baker and candlestick maker are those of a skillful man
The thread of the tailor, the ropes of the sailor are tied by knowing hands
The watchmakers eye and a light to see by and hands that are calm and sure
Make the tiniest springs do the tiniest things And long has the skill endured
It matters not the job you've got as long as you do it well
The things that are made by plans well laid the test of time will tell.
But how can you count, or know the amount of the value of the man
By the melodies played and the beauty made by the touch of Chet Atkins hands

 Johnny Cash, 4-15-70

                                                                  

"When asked recently which of his hundreds of recordings was his personal favorite, Chet's answer was soft, but emphatic.'I don't like any of them, nor do I like to hear them. I always notice some little thing I think I could have done better.'"

                          Unsigned Notes, 'Stringin' Along With Chet Atkins'

                            

"I played pretty good back in those days -- the 50s and 60s," he says. "I was brave and ignorant and I played pretty well. I really was ahead of a lot of people in those days. Now I am trying to catch up with everybody, but back in those days it was nice. I was kind of an innovator and I could pull it off very well. I can see that now. At the time I thought I was terrible, but that kept me improving and trying to learn to play better."

                                                              Chet Atkins - Music City News, 1996

"He was the guitar player of the 20th Century."

  Garrison Keillor

Bring Me A Dream

First a guitar he designed with his name on it. Then, a guitar course in his name, and finally, a hit single.

In 1955, eight years after Steve Sholes signed him to RCA Victor, Chet Atkins's instrumental rendition of the Chordettes' pop vocal hit Mister Sandman gave him the first hit single of his career. It didn't break the Top Ten, but it was a hit. Now the idol of country guitarists of all ages and persuasions, he was well along in his quest to become the world's best known country guitarist.

He was in his early thirties, and the next phase would make him one of the world's most influential guitarists. Period.

**************************

In 2002, a year after he died following a lengthy bout with cancer, Chet Atkins was inducted into the Rock and Roll Hall of Fame in their 'sideman' category. The honor recognized his work in Nashville's studios, including his behind-the-scenes roles in the early hits of Elvis Presley and his friends, the Everly Brothers. Twenty-nine years earlier, he'd been the youngest inductee to the Country Music Hall of Fame.

The rationale behind his induction into the Rock and Roll Hall of Fame actually went beyond that. It's impossible to wander through rock 'n' roll history without tramping on guitarists who drank from Chet's musical fountainhead. Early on, there was Scotty Moore, Eddie Cochran and Duane Eddy. The Ventures' Don Wilson and Bob Bogle owe their careers to one Atkins album cut. George Harrison invoked his style on Beatles tracks like I'm A Loser. His influence on John Fogerty and Mark Knopfler was obvious.

In country, Jerry Reed, Doc Watson, Paul Yandell, Marcel Dadi, Steve Wariner, Vince Gill, Odell Martin and Tommy Emmanuel traced at least part of their musical lineage to Chet. His jazz admirers included Lenny Breau, Johnny Smith, Les Paul, Earl Klugh and George Benson. Classical guitar luminaries Christopher Parkening and Chet's occasional collaborator Liona Boyd were friends and fans.

His penchant for electronic experimentation, cultivated as a teenager, yielded some profound innovations. The homemade electronic effects he created and used on some of his records might not have had names like 'wah-wah' or 'chorus,' but in the late 60s, Jimi Hendrix, Eric Clapton and others used foot-controlled versions miniaturized by transistors, readily available to anyone. To Chet's credit, he used them to enhance his music, not as shallow gimmickry.

If the 1946-54 phase of Atkins's recording career was a slow ramping up, the 1955-1960 era defined his future. It went beyond singles that sold better than they had at first. In an era when albums were little more than afterthoughts for most country acts, they became his primary medium. He wasn't just the first country instrumentalist to become a successful album artist; he sold to pop fans who wouldn't have considered listening to other country musicians.

During these six years, Atkins became a full-blown RCA producer. Then, just as he gained confidence in the control room, he faced the biggest challenge of his career as rock 'n' roll upended country music's rising popularity. How he handled the challenge became one of his most important legacies. It was no small irony that as he worked to revive country, that he, as part of his duties, played on and produced RCA rock sessions.

As a producer, Atkins's desire to find new sounds gave him a larger, broader palette. Even so, the fact remained that his RCA superiors expected results—records that sold and enhanced the corporate bottom line. All this impacted his own records as he sought new sounds and embarked on a quest to play every note flawlessly. Many were trailblazing; a few missed the mark. This collection includes everything: the brilliant, the great, the good and bad.

Considering how all this began, and the path, his triumphs are nothing short of miraculous.

Luttrell and points North:

"Everything that has ever happened to me, I consider a good break…even if I get fired. I think everything happens for the best."

                                            Chet Atkins,

 notes to 'Stringin' Along With Chet Atkins'

It was a journey that began humbly enough in East Tennessee's rural Union County, north of Knoxville amid the Great Smoky Mountains. James Arley Atkins, who worked the railroad and became a voice and piano teacher, had a son, Jim, born in 1912, and a daughter, Willard by his first wife. His second wife, Ida Sharp Atkins, bore him three children: Lowell, Niona, and on June 20, 1924, Chester Burton Atkins.

His childhood, spent on a farm near Luttrell, mixed music with poverty, illness and pain. Half brother Jim, 12 years older, became Chet's first musical hero. He took his guitar playing seriously and left home as a teenager to begin his professional music career. Chester heard the records of Jimmie Rodgers and the Carter Family and started plunking a ukulele.

Two years after his parents' 1930 divorce came a new stepfather, Willie Strevel, who owned two guitars. Chester swapped him some rifles for a guitar and began playing obsessively, a balm for the pain of poverty around him. He taught himself to play a fiddle given him by an uncle, and for a time he, Lowell, and Niona had a small band.  Chester once amazed Strevel, who tried to emulate the guitar work on blues records by Blind Lemon Jefferson, when he outdid his stepdad.

Nineteen-thirty-six brought Chester another trauma: an asthma attack so severe that James Atkins returned to take Chester to the more favorable climate of his rural Georgia farm. For a shy kid, it was a rough transition. But he adjusted and, when offered the chance to return home, decided to stay in Georgia. When he wasn't in school, he drank in music wherever he could. Fascinated by electronics, he built a radio. He could hear Jim Atkins, who'd worked on Chicago's 'WLS National Barn Dance,'playing rhythm guitar with Les Paul's Trio in New York on Fred Waring's NBC radio show. He also enjoyed Chicago guitar ace George Barnes.

One night in 1939, Merle Travis's syncopated thumb and index finger guitar style, broadcast live from WLW in Cincinnati, came through his radio and changed his life. He assumed--incorrectly—that Travis used the right hand thumb and two fingers. By teaching himself to pick that way, he sowed the seeds of the Atkins approach to fingerstyle guitar.

After his 1942 high school graduation in Georgia, he got a job at WNOX in Knoxville, playing fiddle with singer Bill Carlisle and comic Archie Campbell. After station boss Lowell Blanchard heard him picking on a borrowed guitar, Chester became featured guitarist on the station's noontime 'Mid-Day Merry Go-Round.' Blanchard encouraged his insatiable appetite for music by slipping him a key to WNOX's music library. He heard Andres Segovia's classical guitar playing and discovered Belgian gypsy jazz guitarist Django Reinhardt, his newest hero.

Leaving WNOX in mid 1945, he spent six months at WLW and met two fellow Djangophiles: guitarist Homer Haynes and mandolinist Jethro Burns, better known as comics Homer & Jethro. He also met singer Leona Johnson, and married her a year later. Travis, living in California, visited WLW and heaped praise on his young disciple, beginning a lifelong friendship.

Laid off late in 1945, Atkins worked briefly in Raleigh, North Carolina with Johnnie and Jack then moved to Chicago bent on landing a job with Red Foley, about to bolt the 'National Barn Dance' for the Opry. When he debuted on the show in April 1946, Atkins was his guitarist, allowed an instrumental solo on Foley's Opry spots. The Nashville stay was brief. When the ad agency made Foley eliminate Atkins' solo, Atkins quit. Before leaving town, he recorded Guitar Blues for Nashville-based Bullet Records.

A move to WRVA in Richmond, Virginia lasted only a month. By 1947 he was at KWTO in Springfield, Missouri, where station booking agent and producer Si Siman started calling him 'Chet.' He and Leona now had a daughter Merle, named for Merle Travis. With Travis himself having hit singles featuring his picking, Siman sent transcription discs of Chet's playing to various record companies, assuming one of them might want their own Travis. He then left on vacation.

A bureaucrat filling his spot decided Chet played too much pop for a country guitarist and fired him. Chet moved to Denver and played with Shorty Thompson's Western Swing band when Siman struck paydirt. Steve Sholes, RCA's country A&R head was interested. Chet got a call in Denver and verbally accepted an RCA contract to sing and play. Thompson insisted on going along to sing. When Chet demurred, Thompson fired him.

Chet did his first RCA session in Chicago in August, 1947. He and Sholes became friendly. By 1948, Chet was back at WNOX, performing on their Saturday night 'Tennessee Barn Dance'with Homer & Jethro, who backed him on many of his 1949-1953 RCA recordings like Galloping On The Guitar and Main Street Breakdown. The vocals went by the wayside.

In 1949, Chet joined Mother Maybelle and the Carter Sisters, led by original Carter Family member (and country guitar great) Maybelle Carter and her daughters June, Helen and Anita. They settled at KWTO, where they played showdates, recorded for RCA and for Siman's RadiOzark Transcription service. After an early 1950 Opry guest appearance, WSM's Jack Stapp offered the Carters an Opry spot. The Carters. Not Chet.

Stapp explained to Ezra 'Pop' Carter, Maybelle's husband and the act's manager, that Nashville guitarists didn't want Chet competing with them. Carter, a tough Virginian who considered the Atkinses part of their extended family, was equally firm. Everyone came, or no one did. It went back and forth until WSM gave in. Chet, Leona and Merle arrived with the Carters in Nashville in June, 1950.

Chet Atkins Mr. Guitar 1955-1960 (7-CD)
Read more at: https://www.bear-family.com/atkins-chet-mr.-guitar-1955-1960-7-cd.html
Copyright © Bear Family Records

 

 
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Horton, Johnny: The Singing...

Inhalt: 1.0000

188,95 € *

Berry, Chuck: Rock And...

Inhalt: 1.0000

299,95 € *

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Inhalt: 1.0000

17,95 € *

Jones, George: Walk Through...

Inhalt: 1.0000

94,95 € *

Owens, Buck: Tall Dark...

Inhalt: 1.0000

157,95 € *

Owens, Buck: Open Up Your...

Inhalt: 1.0000

139,95 € *

Owens, Buck: Act...

Inhalt: 1.0000

109,95 € *

Smith, Connie: Just For...

Inhalt: 1.0000

109,95 € *

Ballard, Hank...: Nothing But...

Inhalt: 1.0000

109,95 € *

Gabriel, Gunter: Freiheit ist...

Inhalt: 1.0000

119,95 € *

Various - SUN...: Memphis...

Inhalt: 1.0000

119,95 € *

Wills, Bob: Faded Love...

Inhalt: 1.0000

259,95 € *

Curless, Dick: Hard, Hard...

Inhalt: 1.0000

79,95 € *

Flatt, Lester: Flatt On...

Inhalt: 1.0000

109,95 € *

Autry, Gene: That Silver...

Inhalt: 1.0000

188,95 € *

Wills, Bob: San Antonio...

Inhalt: 1.0000

229,95 € *

Morgan, George: Candy Kisses...

Inhalt: 1.0000

109,95 € * Statt: 139,95 € *

Lewis, Smiley: Shame,...

Inhalt: 1.0000

79,95 € *

Reeves, Jim: Welcome To...

Inhalt: 1.0000

259,95 € *

Cash, Johnny: Man In Black...

Inhalt: 1.0000

109,95 € *

Domino, Fats: Out Of New...

Inhalt: 1.0000

139,95 € *

Gibson, Don: 1949-1960...

Inhalt: 1.0000

59,95 € *

 
 
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