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Pat Boone The Sixties (1960-1962) (6-CD)

The Sixties (1960-1962) (6-CD)
 
 
 
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Artikel-Nr.: BCD16776

Gewicht in Kg: 2,150

 

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139,95 € *
 
 
 
 
 

Pat Boone: The Sixties (1960-1962) (6-CD)

6-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 168 Einzeltitel, Spieldauer 410:45 Minuten.

Wie bedeutend war Pat Boone? In den 50er Jahren verkaufte nur Elvis mehr Platten – und Pat Boone gelang auch den frühen Sechzigern Hit auf Hit! Dies gibt es hier zu hören und zu sehen:

  • Pat Boones komplette nicht-religiöse Aufnahmen (1960 bis Herbst 1962) mit Pop-Standards, Country, Rock 'n' Roll, Novelty-Songs und anderem mehr; darunter sein Nr.-1-Hit Moody River und der weltweite Erfolg Speedy Gonzales
  • 46 bisher unveröffentlichte Titel !
  • Ein 76-seitiges gebundenes Buch mit vielen Foto-Raritäten aus Pat Boones Privatarchiv!
  • Die Musik aus den drei Kinofilmen 'All Hands On Deck', 'State Fair' und 'The Main Attraction'.
  • Zusammen mit 'The Fifties – Complete' und 'Baby, Oh Baby' (inkl. aller fremdsprachigen Songs!) hat Bear Family damit exklusiv alle (!) Pat Boone-Aufnahmen aus dem ersten Jahrzehnt erfaßt !

Bear Familys erste Pat-Boone-Box – 'The Fifties Complete' – enthält Pat Boones Aufnahmen für Dot und Republic Records aus den Jahren 1953 bis 1959. In dieser neuen Sammlung mit sechs CDs präsentieren wir alle nicht-religiösen Boone-Einspielungen auf Dot des Zeitraums 1960 bis 1962. Das Material ist erstaunlich vielseitig – Pop-Standards, Country, Rock 'n' Roll, Novelty Songs, und sogar eine Blues-Nummer von
Jimmy Reed ist dabei! Außerdem haben wir die Soundtracks zu den Filmen 'All Hands On Deck', 'The Main Attraction' (bislang nur auf seltenen EPs zu haben) sowie die Pat Boone-Titel aus dem 'State Fair'-Soundtrack integriert. Von Pat Boones Dot-Originalalben sind 'Moonglow', 'Moody River', 'I'll See You In My Dreams' und 'I Love You Truly', die Duett-LP mit seiner Ehefrau Shirley, zu hören. Zusätzlich war Platz für verstreute Songs von anderen Alben und natürlich für seine Hit-Singles, darunter so bekannte Songs wie Delia Gone, Dear John, The Exodus Song, Moody River, Big Cold Wind, Johnny Will, Ten Lonely Guys, Speedy Gonzalez und viele andere mehr.

Darüberhinaus enthält diese exklusive Box 46 (!) bislang unveröffentlichte Titel, ein 76-seitiges gebundenes Buch mit einem Essay von Todd Everett, inklusive neuer Interviews mit Pat Boone und vielen Insidern und Freunden,  eine Komplett-Discographie und viele nie zuvor gezeigte Fotos.

Nur wenige Künstler haben mehr Schallplatten verkauft als Pat Boone – darum hat er fabelhafte Boxen wie die von Bear Family mehr als verdient! Hiermit ist Teil 2 von Bear Familys Pat-Boone-Gesamtausgabe erhältlich!

6-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 168 Einzeltitel, Spieldauer 410:45 Minuten


 

Songs

Pat Boone - The Sixties (1960-1962) (6-CD) Medium 1
1: Welcome New Lovers
2: Words
3: Moonglow
4: San Antonio Rose
5: Hands Across The Table
6: You Always Hurt The One You Love
7: The Very Though Of You
8: Girl Of My Dreams
9: Again
10: Who's Sorry Now
11: We Love But Once
12: It's A Sin To Tell A Lie
13: Imagination
14: Unchained Melody
15: Lullaby Of The Leaves
16: I'll Never Smile Again
17: Jimmie Brown The Newsboy
18: Blue Bobby Sox
19: I'll Still Write Your Name In The Sand
20: Spring Rain
21: A Whole Lot Of Water
22: Jealous
23: Under Your Spell Again
24: Under Your Spell Again
25: Under Your Spell Again (remake)
26: In My Little Red Book
27: A Whole Lotta Water
28: Heart Full Of Happiness
29: More Than Only Friends
30: Till You Were Mine
31: Loveless
Pat Boone - The Sixties (1960-1962) (6-CD) Medium 2
1: Delia Gone
2: It's Been A Long Time  
3: Going To New York  
4: Delia Gone  
5: Stone Cold Dead In The Market  
6: That's Me Without You  
7: It Started In Naples  
8: Candy Sweet  
9: Cry, Cry Darling  
10: A Heart That's True  
11: Delia Gone  
12: While We're Young  
13: The Same Corner  
14: Rich Man's Daughter  
15: It's All In The Game  
16: I'm Sorry  
17: Everybody's Somebody's Fool  
18: He's Got Whole World In His Hands  
19: White Silver Sands  
20: He'll Have To Go  
21: Stagger Lee  
22: Running Bear  
23: Venus  
24: That's Me Without You  
25: Candy Sweet  
Pat Boone - The Sixties (1960-1962) (6-CD) Medium 3
1: Dear John  
2: Yellow Rose Of Texas  
3: Send Me The Pillow You Dream On  
4: Cherry Pink And Apple Blossom White  
5: While You Were Away  
6: Alabam (w/o background voices)  
7: Alabam  
8: Why Don't You Haul Off And Love Me  
9: Mister Moon  
10: The Wayward Wind  
11: Personality  
12: That'll Be The Day  
13: Last Date  
14: Cathy's Clown  
15: El Paso  
16: Tweedle Dee  
17: The Exodus Song  
18: There's A Moon Out Tonight  
19: My Queen In Calico  
20: I Wish You Well  
21: Tonight You're Mine  
22: Sunday, Monday Or Always  
23: The Gypsy  
24: A Thousand Years  
25: Nobody's Darlin' But Mine  
26: One Life To Live  
27: Tonight You're Mine  
28: Last Date (w/o strings)  
Pat Boone - The Sixties (1960-1962) (6-CD) Medium 4
1: Moody River  
2: That's My Desire  
3: That's My Desire  
4: Georgia On My Mind  
5: I've Told Every Little Star  
6: Sleep  
7: Blue Moon  
8: Will You Love Me Tomorrow  
9: Corinna, Corinna  
10: The Great Pretender  
11: Love Makes The World Go Round  
12: Angel On My Shoulder  
13: If You Need Me  
14: Lonely Walk  
15: Where Are You  
16: I Don't Know Is It True  
17: I'll Always Be In Love With You  
18: Big Cold Wind  
19: The Time Is Forever  
20: Pictures In The Fire  
21: Johnny Will  
22: Deep Are The Roots  
23: It Sure Looks Lonesome Outside  
24: (If I'm Dreaming) Just Let Me Dream  
25: I Never Knew You At All  
26: In The Room (Where I'm Missing You) Just...  
Pat Boone - The Sixties (1960-1962) (6-CD) Medium 5
1: Pictures In The Fire  
2: Bluebird Of Happiness  
3: Fanny  
4: Kappa Alpha Rose  
5: Tammy  
6: I'll See You In My Dreams  
7: Tennessee Waltz  
8: Peg O' My Heart  
9: Prisoner Of Loves  
10: My Blue Heaven  
11: Brazil  
12: Then I'll Hold Tomorrow (In The Palm Of My..)  
13: Till The End Of Time  
14: Paper Doll  
15: That Old Black Magic  
16: Quando, Quando, Quando  
17: Willing And Eager  
18: The Locket  
19: Angel Talk  
20: Where Are You  
21: The Rains Came  
22: Speedy Gonzales  
23: I'm Going To New York  
24: The Call Of Summer  
25: Your Heart Belongs To A Soldier  
Pat Boone - The Sixties (1960-1962) (6-CD) Medium 6
1: Mexican Joe  
2: Rumors  
3: I Need Someone  
4: Pretty Bird Of Paradise  
5: Lover's Lane  
6: Ten Lonely Guys  
7: Blue Hawaii  
8: I Love Your Truly  
9: You'll Never Be Lonely  
10: Hawaiian Wedding Song  
11: True Love  
12: Beside Me  
13: Laugh And The World Laughs With You  
14: Have I Told You Lately That I Love You  
15: How About You/I Can't Give You Anything But..  
16: Blues Stay Away From Me  
17: Love Is Here To Stay  
18: Every Step Of The Way  
19: Moon, June, Spoon  
20: All Hands On Deck  
21: Somewhere There's Home  
22: I Got It Made  
23: There's No One Like You  
24: Out State Fair  
25: That's For Me ('State Fair')  
26: Willing And Eager  
27: It's A Grand Night For Singing  
28: Si Si Si  
29: Gondoli Gondola  
30: The Main Attraction  
31: Amore Baciami  
32: Chevrolet Advertising  

 

Artikeleigenschaften von Pat Boone: The Sixties (1960-1962) (6-CD)

  • Interpret: Pat Boone

  • Albumtitel: The Sixties (1960-1962) (6-CD)

  • Artikelart Box set

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode FL
  • SubGenre Rock - Rock'n'Roll

  • EAN: 4000127167767

  • Gewicht in Kg: 2.150
 
 

Interpreten-Beschreibung "Boone, Pat"

Pat Boone

Geboren am 1. 6. 1934 in Jacksonville, Florida. Studium an der Columbia University, heiratete Shirley, die Tochter des Country-Stars Red Foley. Wurde zum 'König der Cover-Versionen, wobei er nahezu jede Vorlage mit Süßstoff überzog. Galt als Saubermann Nr. 1 der US-amerikanischen Unterhaltungs-Industrie (so lehnte der Vater von vier Töchtern eine Filmrolle an der Seite von Marilyn Monroe ab, weil er keine fremde Frau küssen wollte).

1955 erhielt Pat Boone einen Plattenvertrag von Dot Records, für die er bis 1966 genau 57 Single-Titel in die US-Charts brachte, darunter die Nr.-1-Hits 'I Almost Lost My Mind', 'Don't Forbid Me' (beide 1956), 'Love Letters In The Sand' und 'April Love' (beide 1957) sowie 'Moody River' (1961). Ende der 70er Jahre verlegte sich Pat Boone, von 1957-60 Gastgeber der TV-Show 'The Pat Boone Chevy Showroom', ganz auf christliche Musik.

1997 landete Pat mit einem Heavy-Metal-Album (!) einen späten Treffer in den USA. Seiner Tochter Debbie war 1977 ein Nr.-1-Hit mit 'You Light Up My Life' gelungen. Sechs von insgesamt zehn deutschsprachigen Titeln sang Boone in den Teldec-Studios in Hamburg, die vier letzten im Februar 1966 in den Mailänder Saar-Studios zu vor produzierten Playbacks, die in Köln hergestellt worden waren. Spielfilmrollen übernahm er in US-Produktionen wie 'April Love' (' - Junges Glück im April', 1957), - 'Mardi Gras' ('Blaue Nächte', 1958), 'Journey To The Centre Of The Earth' ('Die Reise zum Mittelpunkt der Erde', 1959), 'The Yellow Canary' (' - Kennwort Canary', 1963), - 'The Pigeon' ('Das Geheimnis der Puppe', 1969) und 'The Cross And The Switchblade' ('Das Kreuz und die Messerhelden', 1969).

Aus dem Bear Family Buch - 1000 Nadelstiche von Bernd Matheja - BFB10025 - '

Pat Boone

Unwilling to meet the increased rent imposed by the managers of the Brooklyn Paramount Theater, New York City disc jockey Alan Freed moved his hugely successful 'Rock 'n' Roll Holiday Jubilee' to the Academy of Music in Manhattan.

Which gave competing disc jockey Tommy 'Dr. Jive' Smalls the opportunity to move his show from Harlem to the Brooklyn Paramount, where it opened its week-long engagement on December 23, 1955, a day following the premier of Freed's 12-day stand, downtown.

While Freed's stage shows – like his trendsetting radio program – had always been integrated, this was a first for 'Dr. Jive.' He had a strong line-up of R&B performers on the show, among them Bo Diddley, Clyde McPhatter, the Flamingos, the Five Keys, and the Turbans. One of the two white acts was a vocal group, the Cheers, protégés of Jerry Leiber and Mike Stoller, whose hits (to that point in time) included Bazoom and Black Denim Trousers And Motorcycle Boots.

The other…well, as Ruth Brown, another of the stars on the show, later put it, "Pat Boone, with them white bucks on his feet, runnin' in late from school."

Brown may have been somewhat bemused by the Columbia University English Literature student wearing his signature white buckskin shoes and singing to a predominantly black audience songs that many of them recognized from earlier versions by black acts. Others, though, were less impressed. Many years later, Little Richard biographer Charles White wrote: "As [Little Richard's] 'Tutti Frutti' climbed the charts, it was covered by two white artists – Pat Boone and Elvis Presley...This actually helped sales of Richard's original version, as people who had never heard Rock 'n' Roll (sic) before became turned on to the new sound. But in general, the policy of the 'white' record companies covering the songs of black artists was a cruel larceny of original talent." (While Boone’s version was a cover and did compete, Presley’s came out later and only as an album cut).

Of course, in life nothing is that simple. Many acts, including Teresa Brewer, Gale Storm, Georgia Gibbs, the McGuire Sisters, the Diamonds, and Bill Haley were recording their own versions of R&B hits for the white market.

As Boone himself explained to former 'Newsweek' pop critic Karen Schoemer, "The revisionist idea has sprung up, somehow, that when pop artists covered an R&B record we were inhibiting the progress, instead of enhancing the progress, of the original artists. But in those early days, R&B music did not get played on pop radio. It was too raw, rough, unfinished sounding, garbled – you couldn't understand all the words. People were used to big bands and polished productions. Deejays weren't ready to play it and people weren't ready to receive it. But when we would do a more polished pop version of a song, it had a chance, and it began to catch on. People don't understand the necessary role the cover versions played. It was pop artists doing R&B music that focused the spotlight on the original artists and opened the door."

…And to Joe Smith, "...Everybody was aware that the original artists were not going to get played on 90% of the radio stations in America. They were not going to play an R&B record by Chuck Berry, or Fats Domino, or Little Richard. In fact, the original artists hoped and prayed that their records would get covered by someone who could get airplay, because it meant that their records were going to get even more recognition in their own field. It would change later on…but we were sort of like catalysts who helped R&B become rock and roll."

"When I first heard [ Boone's'Ain't That A Shame'] I didn't like it," Domino told biographer Rick Coleman. "It took two months to write, and he put it out almost the same as I did. It kind of hurt."

Domino, who profited from writers' royalties as well as indirect exposure, may have changed his mind in later years. "I went to see…Domino at Al Hirt's place in New Orleans," Boone recounted to Smith. "When he heard I was in the audience, he called me up on stage and he said to the crowd, 'I want you all to know something. You see this ring?' He had a big diamond ring on every one of his fingers, and he pointed to the most prominent of his diamond rings and said, 'This man bought me this ring, with this song.' And we sang 'Ain't That A Shame' together." Years later,Domino would bring Rick Nelson onstage to duet on I'm Walkin', a Domino original that Nelson had taken to the top on the heels of Fats' own version.

While nobody's going to confuse a Pat Boone recording with one by Little Richard, Domino or Big Joe Turner, several of his R&B-influenced songs were legitimate hits, and had their own kind of charm. Indeed, Boone landed four singles on the 'Billboard' R&B singles chart. Certainly black and  white songwriters were lining up to get the attention of Boone, or of Dot Records' chief Randy Wood. And many of them succeeded.

Not every song on this compilation of some of Boone's more up-tempo material began its life as a R&B cover or revival; but all of them share the same vibrant spirit; that of a man who loves what he's doing, and wants to share the fun.

And now for some observations on the more notable songs in this collection.

Born in Tennessee and attending North Texas State College, Pat Boone performed on local radio programs, and was selected to appear on the nationally-telecast 'Ted Mack's Original Amateur Hour,' where he won three times, and was invited back to appear on a special competition among multiple winners. While in New York City, he auditioned for another national program, 'Arthur Godfrey's Talent Scouts.'

"On Saturday night," Boone told me in 1993, "I won on 'Ted Mack,' qualifying for the finals, and on Monday I appeared on 'Arthur Godfrey' and won a week's worth of performances on his daily radio show. The Ted Mack people told me that I had won hands down, but that they'd have to disqualify me."

Pat had recorded a few sides in a Tony Martin pop vein on a small, local label without any success. But one day, visiting his parents in Tennessee, he received a call from Randy Wood. Owner of Randy's Record Shop in nearby Gallatin, Wood also ran the Dot Records label from his store. "Randy had been watching me for a couple of years, and was convinced that I could sing like a professional. He was enthusiastic, he was nice, we shook hands, and he said he'd call me as soon as he found a song that was right for me."

Months passed, and Boone was back at school in Texas when he at last heard from Wood. "He sent me a ticket to Chicago, where he wanted me to record a song he'd found called 'Two Hearts'."

An unlikely choice for Boone – whose idols (keep in mind that this was before Elvis Presley broke through) included his father-in-law, country singer Red Foley, and Bing Crosby – Two Hearts was the third hit by the Charms, a black group from Cincinnati recording for the Deluxe label. Another Charms' hit, Hearts Of Stone, had been successfully covered for the white market by the Fontaine Sisters several months earlier, also for Dot (another of the Charms' hits had been a cover for the black market of the Cheers' Bazoom).

"I'd never heard 'Two Hearts,' but from the title I imagined that the song would be something in waltz time, like Perry Como might do." Then, Wood set up a portable record played in his hotel room and repeatedly played the jumping R&B dance tune with a boogie beat. The arranger and conductor on Boone's version was Lew Douglas, who'd been an arranger for the NBC Radio's Chicago orchestra, and who was recording with Chicago-based acts including Joni James.

Pat Boone Pat Boone - Pat Rocks
Read more at: https://www.bear-family.de/boone-pat-pat-boone-pat-rocks.html
Copyright © Bear Family Records

 

 
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