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Rosemary Clooney Come On-A My House (7-CD)

Come On-A My House (7-CD)
 
 

Artikel-Nr.: BCD15895

Gewicht in Kg: 2,100

 

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Rosemary Clooney: Come On-A My House (7-CD)

Video von Rosemary Clooney - Come On-A My House (7-CD)

7-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 198 Einzeltitel. Spieldauer ca. 543 Minuten.

Diese 7 CD Box, die erste von dreien, enthält Rosemary Clooney's gesamte Aufnahmen für Cosmo und Columbia von 1946 bis Ende 1954. Nur ihre Kinder-Aufnahmen fehlen - sie werden in der zweiten Box enthalten sein. Unter ihren Solo Aufnahmen haben wir seltene Duette mit Marlene Dietrich, Tony Pastor, Tommy Leonetti, Johnny Thompson, Frank Sinatra, Guy Mitchell, George Morgan und Jose Ferrer, dazu seltene Transcriptions und Soundtrack-Aufnahmen ihrer Filme. Zu den Songs gehören Grieving For You, Come On-A My House, Half As Much Be My Life's Companion, Botch-A-Me und die britische Version von Besides He's A Man mit Marlene Dietrich.

7-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 198 Einzeltitel. Spieldauer ca. 543 Minuten


 

Songs

Clooney, Rosemary - Come On-A My House (7-CD) Box set 1
1: Everybody Has A Laughing Place(*,**,***)
2: How Do You Do(*,**,***)
3: Zip A Dee Doo Dah(*,**)
4: Uncle Remus Said(*,**,***)
5: Sooner Or Later (*)
6: Tira Lira Li (The Song Of The Gondolier(*,**)
7: I'm Sorry I Didn't Say I'm Sorry (*)
8: Bread And Butter Woman (*,**)
9: My O'Darlin' My O'Lovely My O'Brian (*,**)
10: Grieving For You
11: Gonna Get A Girl (*,**)
12: The Chowder Social (*,**)
13: The Click Song (*,**)
14: It's Like Taking Candy From A Baby (*)
15: At A Sidewalk Penny Arcade
16: I'm My Own Grandpaw (*,**)
17: The Secretary Song (Bibidi Boo Bot)(*,**)
18: A Boy From Texas, A Girl From Tennessee(*,**)
19: Saturday Night Mood (*,**)
20: Who Killed'er(Who Killed The Black ...)(*,**)
21: There's A Man At The Door (*,**)
22: You Started Something
23: Straighten Up And Fly Right (**)
24: I Got Rhythm (**)
25: How High The Moon (**)
26: Dear Mother (**)
27: Cabaret (**)
28: *-TONY PASTOR,**-CLOONEY SISTERS,***-T.LYNN
Clooney, Rosemary - Come On-A My House (7-CD) Box set 2
1: When You're In Love
2: It's A Cruel Cruel World (*,**)
3: Busy Line (*,**)
4: 'A'You're Adorable (The Alphabet Song)(*,**)
5: San (*,**)
6: If I Had A Million Dollars (*,**)
7: Cabaret
8: Bargain Day
9: Lover's Gold
10: The Four Winds And The Seven Seas
11: Don't Cry Joe (Let Her Go, Let Her Go)
12: There's A Broken Heart For Every Light On...
13: Oh, You Beautiful Doll
14: The Kid's A Dreamer
15: Chicago
16: Why Don't You Haul Off And Love Me
17: The Canasta Song
18: I Only Saw Him Once
19: A Good Time Was Had By Al
20: On An Ordinary Morning (#)
21: Crying Myself To Sleep
22: Peach Tree Street (##)
23: Crying Myself To Sleep
24: Why Fight The Feeling?
25: Where Do I Go From You
26: (Remember Me) I'm The One Who Loves You
27: I Whisper Your Name
28: *-TONY PASTOR,**-CLOONEY SISTERS
29: #-JOHNNY THOMPSON, ##-FRANK SINATRA
Clooney, Rosemary - Come On-A My House (7-CD) Box set 3
1: Bless This House
2: Marrying For Love (& GUY MITCHELL)
3: You're Just In Love (& GUY MITCHELL)
4: The Place Where I Worship (& GUY MITCHELL)
5: The House Of Singing Bamboo (& GUY MITCHELL)
6: Love Means Love (& FRANK SINATRA)
7: Cherry Pies Ought To Be You (& FRANK SINATRA)
8: Sentimental Music (& TONY PASTOR)
9: I Still Feel The Same About You
10: I Still Feel The Same About You (& B.CLOONEY)
11: When Apples Grow On Cherry Trees
12: Beautiful Brown Eyes
13: Shot Gun Boogie
14: Mixed Emotions
15: The Kentucky Waltz
16: The Lady Is A Tramp
17: I'll Be Around
18: Come On-A My House
19: Rose Of The Mountain
20: If Teardrops Were Pennies (1. vocal)
21: If Teardrops Were Pennies (2. voices)
22: If Teardrops Were Pennies (3. voices)
23: Find Me
24: I'm Waiting Just For You
25: I'm From Texas
26: Stick With Me
27: I Wish I Wuz (Hi, Ho, Fiddle Dee Dee)
28: Half As Much
29: Be My Life's Companion
Clooney, Rosemary - Come On-A My House (7-CD) Box set 4
1: Did Anyone Call?
2: Tenderly
3: Why Don't You Love Me
4: Poor Whip, Poor Will (Move Over, Move Over)
5: Botch-A-Me (Ba-Ba-Baciami Piccina)
6: On The First Warm Day
7: Intro To 'Too Old To Cut...'(M.DIETRICH)
8: Too Old To Cut The Mustard (& M.DIETRICH)
9: Who Kissed Me Last Night
10: Blues In The Night
11: Good For Nothin' (& MARLENE DIETRICH)
12: Sweet Leilani
13: You'll Never Know
14: When You Wish Upon A Star
15: Over The Rainbow
16: On The Atchison, Topeka And The Santa Fe
17: The Continental
18: In The Cool, Cool, Cool Of The Evening
19: It Might As Well Be Spring
20: If I Had A Penny
21: I Laughed Until I Cried
22: You're After My Own Heart
23: Lonely Am I
24: Lonely Am I (single vocal)
25: You're The Only One For Me (& GEORGE MORGAN)
26: Withered Roses (& GEORGE MORGAN)
27: You Love Me Just Enough To Hurt Me(&G.MORGAN)
28: Grapevine Swing (& GEORGE MORGAN)
Clooney, Rosemary - Come On-A My House (7-CD) Box set 5
1: Haven't Got A Worry
2: I Do, I Do, I Do
3: What Would You Do (If You Were In My Place)
4: Lovely Weather For Ducks
5: Close Your Eyes (Brahms' Lullaby)
6: It Just Happened To Happen To Me
7: When I See You
8: Cheegah Choonem (I Haven't Got It)
9: Dot's Nice, Donna Fight (& MARLENE DIETRICH)
10: It's The Same (& MARLENE DIETRICH)
11: My Baby Rocks Me
12: Red Garters
13: Man And Woman (& GUY MITCHELL)
14: Bad News
15: We'll Be Together Again
16: When You Love Someone
17: You Make Me Feel So Young
18: Woman (Uh Huh) (& JOSE FERRER)
19: Man (Uh Huh) (& JOSE FERRER)
20: Good Intentions
21: What Is There To Say
22: Brave Man
23: Tommorrow I'll Dream And Remember
24: While We're Young
25: Love Is A Beautiful Stranger
26: Marry The Man (& JOSE FERRER)
27: Ay Ay (Who's The Guy)(& JOSE FERRER)
28: A Bunch Of Bananas(The Hemingway)(& J.FERRER)
29: Younger Than Springtime
Clooney, Rosemary - Come On-A My House (7-CD) Box set 6
1: Hello Young Lovers
2: While We're Young
3: Love Is A Beautiful Stranger
4: Crying Myself To Sleep
5: Too Young
6: Grieving For You
7: Love You Didn't Do Right By Me
8: Young At Heart
9: Hey There
10: This Ole House
11: Besides (He's A Man) (& MARLENE DIETRICH)
12: Land, Sea And Air (& MARLENE DIETRICH)
13: Blame It My Youth
14: Young Man, Young Man
15: Sisters (& BETTY CLOONEY)
16: A Touch Of The Blues
17: Mr. & Mrs. (& JOSE FERRER)
18: My Baby Sends Me
19: Gee, I Wish I Was Back In The Army
20: Mandy
21: Count Your Blessings Instead Of Sheep
22: The Best Things Happen While You're Dancing
23: Mambo Italiano
24: Open Up Your Heart (& LITTLE SISTER GAIL)
25: The Lord Is Counting On You(& L. SISTER GAIL)
26: What Is A Baby
Clooney, Rosemary - Come On-A My House (7-CD) Box set 7
1: Opening
2: Feed Fido Some Rruff
3: Haven't Got A Worry
4: Come On-A My House
5: I Do, I Do, I Do!
6: Lovely Weather For Ducks
7: Haven't Got A Worry
8: Opening
9: Ya Got Class (& BOB HOPE)
10: When You Love Someone
11: Ali Baba (Be My Baby)
12: It's Torment (& TONY MARTIN)
13: Opening
14: Man And Woman (& GUY MITCHELL)
15: Red Garters
16: Ladykiller (& GUY MITCHELL
17: Good Intensions
18: Bad News
19: Brave Man
20: Finale
21: Opening
22: Santa Claus (& BING CROSBY & DANNY KAYE)
23: White Christmas (& BING CROSBY)
24: Sisters
25: Snow
26: I'd Rather See A Minstrel Show
27: Count Your Blessings Instead Of Sheep
28: Love, You Didn't Do Right By Me
29: Choreography (& DANNY KAYE)
30: Gee, I Wish I Was Back In The Army
31: Finale
32: Mr. & Mrs. (& JOSE FERRER)

 

Artikeleigenschaften von Rosemary Clooney: Come On-A My House (7-CD)

  • Interpret: Rosemary Clooney

  • Albumtitel: Come On-A My House (7-CD)

  • Artikelart Box set

  • Genre Pop

  • Music Genre Pop
  • Music Style Pop Vocal
  • Music Sub-Genre 281 Pop Vocal
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode GK
  • SubGenre Pop - Vocal Pop

  • EAN: 4000127158956

  • Gewicht in Kg: 2.100
 
 

Interpreten-Beschreibung "Clooney, Rosemary"

ROSEMARY CLOONEY

MEMORIES OF YOU

 “I remember something that Jo Stafford said to me,” Rosemary Clooney recalls. “She said, ‘You will never sing better than when you are pregnant.’”

 The science may be inconclusive, but Stafford had a point. Clooney’s phenomenal wave of success had begun just a few years earlier with Come On-A My House. But the middle and late 1950s—the years covered by this second volume of Bear Family’s anthology of Clooney’s complete recordings—finds the singer not only at the height of her powers, but with a blossoming domestic life centered on her new husband, Jose Ferrer, and the arrival of their five children. This set begins appropriately with the Al Hoffman-Bob Merrill song, Where Will The Dimple Be, from a January, 1955 session. Less than a month later, Miguel Jose Ferrer was born, and Rosemary’s children would then come about a year apart through the end of the decade.

The Ferrers had settled into their Roxbury Drive home in Beverly Hills, a house inhabited by the Gershwin brothers at the end of George’s life, where they’d written Love Is Here To Stay. Ira now lived next door with his wife Leonore. For Rosemary, it was a time when everything in her life seemed to come together. The uncertainties of her own childhood in Maysville, Kentucky, when she and her sister Betty were shuttled between relatives for their care, now gave way to the security and joy of having her own family around her. Joe Ferrer divided his energies between motion pictures and maintaining his prolific acting and directing schedule on Broadway. The house was endlessly filled with the couple’s friends from the musical, theatrical and literary establishments, who spent long California days swimming in the pool, playing tennis and debating the affairs of the world over drinks and dinner.

At the same time, Rosemary’s career remained in high gear. Mitch Miller’s tutelage at Columbia had transformed her from Tony Pastor’s ex-girl singer into an international star with number-one chart records one after the other over the last four years. ‘White Christmas’, the hallmark of her film career at Paramount, had just been released in 1954, cementing her identification in the public mind with her co-star and mentor, Bing Crosby. As a new mother, she maintained a hectic agenda of radio, television and personal appearances, along with continuing her prodigious recording schedule for Columbia. Rarely, now, were the sessions conducted in New York, as they had often been in the early days under Miller’s eye. With Rosemary ever-more ensconced in California, distance was added to the already existing tensions between the singer and Columbia’s A&R wizard, and as the ‘50s wore on, Miller’s influence over Clooney’s recording career--from style to choice of material--lessened drastically.

In the summer of 1955, with baby and nanny in tow, Mr. and Mrs. Ferrer left for an extended stay in England. While Ferrer was there to finish filming ‘Cockleshell Heroes’ with Trevor Howard, Rosemary would make her debut at the London Palladium for a two week engagement. They took an old mill house in the country on the Cone River, up against one of England’s interior canals, and with a lake on the property. They had an Italian couple cooking for them, and picked up a basset hound named George (it was Rosemary and Betty’s Uncle George Guilfoyle, recently home from the war, who’d been the teenagers’ chaperone when they went on the road with the Pastor band).

“England was a very happy time, a very fun time,” Rosemary remembers, “because we were close to friends in the country, and we had people around every Sunday. I remember Dietrich came over and wanted to go fishing. So we found some rods there, and she found some worms. And she was talking to the worms, as she’s putting them on the hook: ‘Now, this isn’t going to hurt you…’”

Clooney put the Palladium job in the hands of Buddy Cole, whom she knew through her work with Bing Crosby on the radio. (In fact, just before the trip she and Cole had done a radio broadcast that produced exceptional recordings of Learnin’ The Blues, Cherry Pink, and a luscious Ebb Tide.)

They traveled to Glasgow before the July 19 London opening in order to break in the show. “The Palladium was very important to me,” Rosemary says. There was a two-a-day policy, with a six o’clock show catering to the working man, and a gallery that liked to talk back. “I remember in Glasgow, while I was singing, hearing ‘Roooooosemarrie!’ I finally stopped and said, ‘What do you want?’ ‘He said, ‘Come On-A My House!’…”

Although Clooney was accustomed to making personal appearances (it actually hadn’t been all that long since her bandsinger days), the back-and-forth with an audience was still not that comfortable for her, and it would be years before touring with Crosby taught her to feel significant ease before a crowd. Even so, the live record of her unscripted Palladium patter gives us an early glimpse of the easy, ad-libbing humor and straight-ahead personality for which she would eventually become legendary.

With Cole at the piano before the Skyrockets Orchestra, the show largely featured a sampling of Clooney’s signature hits to date, including Tenderly, This Ole House, Mambo Italiano, Botch-A-Me and of course, Come On-A My House. To the mix, she added Cole Porter’s From This Moment On and It’s Delovely, Irving Berlin’s tailor-made Love, You Didn’t Do Right By Me from ‘White Christmas’, You Make Me Feel So Young, Where Will The Dimple Be, The Brahms Lullaby, and always proud of her Irish heritage, Danny Boy—all of which created a sensation with a hysterically enthusiastic British audience. Both the man on the street and area luminaries (including Dietrich, Noel Coward, Laurence Olivier and Vivien Leigh) arrived nightly in droves, and their cheers produced a wall of sound that caused her to involuntarily flinch the first time it hit her.

The program, with its accumulated chart-topping songs of the past few years, affirmed the solidity of Clooney’s international stardom. At the same time, there is something retrospective about it, in that musically she was about to embark on a new chapter in her development as an artist. From that time forward, the nature of Clooney’s recorded work started to change. The rest of the ‘50s saw not only the singer in blissful vocal shape, but reaching beyond the novelty songs imposed on her by Miller and Columbia in the early years to deepen her range of material. Her growing maturity as a woman and a singer exerted itself not only in her more confident pursuit of what she felt was right for her, but carried over to a more consistent sophistication of arrangements and overall sound. Columbia’s commercial priorities, which (apart from Tenderlys) had planted Clooney firmly in the path of the kitschy and the kooky, now afforded her room for some significant explorations.

Benny Goodman and Rosemary were strangers when they were teamed to cut three records in November of 1955. A fan, she was well acquainted with his reputation as a musical perfectionist often difficult to work with. She also knew about The Ray – the legendary withering glare he would fix on any musician to have incurred his displeasure.“I liked him fine,” she says. “He was weird, but I liked him.” They were to record three of his signature tunes: Cole Porter’s It’s Bad For Me and Gordon Jenkins’ Goodbye with the sextet, and the Andy Razaf-Eubie Blake Memories Of You with the trio, the record would reach number 20 on the charts.

Their first rehearsal was held at the Ferrer apartment on West 57th Street, next to Carnegie Hall. It was the nanny’s day off, and Rosemary was looking after baby Miguel while waiting for the musicians, who included Aaron Bell on bass, Bobby Donaldson on drums, Dick Hyman on piano, Urbie Green on trombone and Buck Clayton on trumpet. Goodman arrived before the others. “I put Miguel in the playpen,” she recalls, “and I said ‘I didn’t have anyone to take care of him, so if you don’t mind, he’ll just play in the playpen—he wouldn’t be any trouble.’ So Benny put his clarinet together, and did a run up and down. And Miguel had never heard a sound like that before, and he started to cry. And Benny—very seriously—looked at Miguel, and said, ‘He doesn’t like the way I play.’ And I started to laugh. Then I realized that he was not kidding.”

Rosemary Clooney Memories Of You (7-CD)
Read more at: https://www.bear-family.com/clooney-rosemary-memories-of-you-7-cd.html
Copyright © Bear Family Records

 
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