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Rosemary Clooney Come On-A My House (7-CD)

Come On-A My House (7-CD)
 
 

Artikel-Nr.: BCD15895

Gewicht in Kg: 2,100

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

139,95 € *
 
 
 
 
 

Rosemary Clooney: Come On-A My House (7-CD)

Video von Rosemary Clooney - Come On-A My House (7-CD)

7-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 198 Einzeltitel. Spieldauer ca. 543 Minuten.

Diese 7 CD Box, die erste von dreien, enthält Rosemary Clooney's gesamte Aufnahmen für Cosmo und Columbia von 1946 bis Ende 1954. Nur ihre Kinder-Aufnahmen fehlen - sie werden in der zweiten Box enthalten sein. Unter ihren Solo Aufnahmen haben wir seltene Duette mit Marlene Dietrich, Tony Pastor, Tommy Leonetti, Johnny Thompson, Frank Sinatra, Guy Mitchell, George Morgan und Jose Ferrer, dazu seltene Transcriptions und Soundtrack-Aufnahmen ihrer Filme. Zu den Songs gehören Grieving For You, Come On-A My House, Half As Much Be My Life's Companion, Botch-A-Me und die britische Version von Besides He's A Man mit Marlene Dietrich.

7-CD Box (LP-Format) mit 76-seitigem gebundenem Buch, 198 Einzeltitel. Spieldauer ca. 543 Minuten


 

Songs

Rosemary Clooney - Come On-A My House (7-CD) Medium 1
1: Everybody Has A Laughing Place(*,**,***)
2: How Do You Do(*,**,***)
3: Zip A Dee Doo Dah(*,**)
4: Uncle Remus Said(*,**,***)
5: Sooner Or Later (*)
6: Tira Lira Li (The Song Of The Gondolier(*,**)
7: I'm Sorry I Didn't Say I'm Sorry (*)
8: Bread And Butter Woman (*,**)
9: My O'Darlin' My O'Lovely My O'Brian (*,**)
10: Grieving For You
11: Gonna Get A Girl (*,**)
12: The Chowder Social (*,**)
13: The Click Song (*,**)
14: It's Like Taking Candy From A Baby (*)
15: At A Sidewalk Penny Arcade
16: I'm My Own Grandpaw (*,**)
17: The Secretary Song (Bibidi Boo Bot)(*,**)
18: A Boy From Texas, A Girl From Tennessee(*,**)
19: Saturday Night Mood (*,**)
20: Who Killed'er(Who Killed The Black ...)(*,**)
21: There's A Man At The Door (*,**)
22: You Started Something
23: Straighten Up And Fly Right (**)
24: I Got Rhythm (**)
25: How High The Moon (**)
26: Dear Mother (**)
27: Cabaret (**)
28: *-TONY PASTOR,**-CLOONEY SISTERS,***-T.LYNN  
Rosemary Clooney - Come On-A My House (7-CD) Medium 2
1: When You're In Love
2: It's A Cruel Cruel World (*,**)  
3: Busy Line (*,**)  
4: 'A'You're Adorable (The Alphabet Song)(*,**)  
5: San (*,**)  
6: If I Had A Million Dollars (*,**)  
7: Cabaret  
8: Bargain Day  
9: Lover's Gold  
10: The Four Winds And The Seven Seas  
11: Don't Cry Joe (Let Her Go, Let Her Go)  
12: There's A Broken Heart For Every Light On...  
13: Oh, You Beautiful Doll  
14: The Kid's A Dreamer  
15: Chicago  
16: Why Don't You Haul Off And Love Me  
17: The Canasta Song  
18: I Only Saw Him Once  
19: A Good Time Was Had By Al  
20: On An Ordinary Morning (#)  
21: Crying Myself To Sleep  
22: Peach Tree Street (##)  
23: Crying Myself To Sleep  
24: Why Fight The Feeling?  
25: Where Do I Go From You  
26: (Remember Me) I'm The One Who Loves You  
27: I Whisper Your Name  
28: *-TONY PASTOR,**-CLOONEY SISTERS  
29: #-JOHNNY THOMPSON, ##-FRANK SINATRA  
Rosemary Clooney - Come On-A My House (7-CD) Medium 3
1: Bless This House  
2: Marrying For Love (& GUY MITCHELL)  
3: You're Just In Love (& GUY MITCHELL)  
4: The Place Where I Worship (& GUY MITCHELL)  
5: The House Of Singing Bamboo (& GUY MITCHELL)  
6: Love Means Love (& FRANK SINATRA)  
7: Cherry Pies Ought To Be You (& FRANK SINATRA)  
8: Sentimental Music (& TONY PASTOR)  
9: I Still Feel The Same About You  
10: I Still Feel The Same About You (& B.CLOONEY)  
11: When Apples Grow On Cherry Trees  
12: Beautiful Brown Eyes  
13: Shot Gun Boogie  
14: Mixed Emotions  
15: The Kentucky Waltz  
16: The Lady Is A Tramp  
17: I'll Be Around  
18: Come On-A My House  
19: Rose Of The Mountain  
20: If Teardrops Were Pennies (1. vocal)  
21: If Teardrops Were Pennies (2. voices)  
22: If Teardrops Were Pennies (3. voices)  
23: Find Me  
24: I'm Waiting Just For You  
25: I'm From Texas  
26: Stick With Me  
27: I Wish I Wuz (Hi, Ho, Fiddle Dee Dee)  
28: Half As Much  
29: Be My Life's Companion  
Rosemary Clooney - Come On-A My House (7-CD) Medium 4
1: Did Anyone Call?  
2: Tenderly  
3: Why Don't You Love Me  
4: Poor Whip, Poor Will (Move Over, Move Over)  
5: Botch-A-Me (Ba-Ba-Baciami Piccina)  
6: On The First Warm Day  
7: Intro To 'Too Old To Cut...'(M.DIETRICH)  
8: Too Old To Cut The Mustard (& M.DIETRICH)  
9: Who Kissed Me Last Night  
10: Blues In The Night  
11: Good For Nothin' (& MARLENE DIETRICH)  
12: Sweet Leilani  
13: You'll Never Know  
14: When You Wish Upon A Star  
15: Over The Rainbow  
16: On The Atchison, Topeka And The Santa Fe  
17: The Continental  
18: In The Cool, Cool, Cool Of The Evening  
19: It Might As Well Be Spring  
20: If I Had A Penny  
21: I Laughed Until I Cried  
22: You're After My Own Heart  
23: Lonely Am I  
24: Lonely Am I (single vocal)  
25: You're The Only One For Me (& GEORGE MORGAN)  
26: Withered Roses (& GEORGE MORGAN)  
27: You Love Me Just Enough To Hurt Me(&G.MORGAN)  
28: Grapevine Swing (& GEORGE MORGAN)  
Rosemary Clooney - Come On-A My House (7-CD) Medium 5
1: Haven't Got A Worry  
2: I Do, I Do, I Do  
3: What Would You Do (If You Were In My Place)  
4: Lovely Weather For Ducks  
5: Close Your Eyes (Brahms' Lullaby)  
6: It Just Happened To Happen To Me  
7: When I See You  
8: Cheegah Choonem (I Haven't Got It)  
9: Dot's Nice, Donna Fight (& MARLENE DIETRICH)  
10: It's The Same (& MARLENE DIETRICH)  
11: My Baby Rocks Me  
12: Red Garters  
13: Man And Woman (& GUY MITCHELL)  
14: Bad News  
15: We'll Be Together Again  
16: When You Love Someone  
17: You Make Me Feel So Young  
18: Woman (Uh Huh) (& JOSE FERRER)  
19: Man (Uh Huh) (& JOSE FERRER)  
20: Good Intentions  
21: What Is There To Say  
22: Brave Man  
23: Tommorrow I'll Dream And Remember  
24: While We're Young  
25: Love Is A Beautiful Stranger  
26: Marry The Man (& JOSE FERRER)  
27: Ay Ay (Who's The Guy)(& JOSE FERRER)  
28: A Bunch Of Bananas(The Hemingway)(& J.FERRER)  
29: Younger Than Springtime  
Rosemary Clooney - Come On-A My House (7-CD) Medium 6
1: Hello Young Lovers  
2: While We're Young  
3: Love Is A Beautiful Stranger  
4: Crying Myself To Sleep  
5: Too Young  
6: Grieving For You  
7: Love You Didn't Do Right By Me  
8: Young At Heart  
9: Hey There  
10: This Ole House  
11: Besides (He's A Man) (& MARLENE DIETRICH)  
12: Land, Sea And Air (& MARLENE DIETRICH)  
13: Blame It My Youth  
14: Young Man, Young Man  
15: Sisters (& BETTY CLOONEY)  
16: A Touch Of The Blues  
17: Mr. & Mrs. (& JOSE FERRER)  
18: My Baby Sends Me  
19: Gee, I Wish I Was Back In The Army  
20: Mandy  
21: Count Your Blessings Instead Of Sheep  
22: The Best Things Happen While You're Dancing  
23: Mambo Italiano  
24: Open Up Your Heart (& LITTLE SISTER GAIL)  
25: The Lord Is Counting On You(& L. SISTER GAIL)  
26: What Is A Baby  
Rosemary Clooney - Come On-A My House (7-CD) Medium 7
1: Opening  
2: Feed Fido Some Rruff  
3: Haven't Got A Worry  
4: Come On-A My House  
5: I Do, I Do, I Do!  
6: Lovely Weather For Ducks  
7: Haven't Got A Worry  
8: Opening  
9: Ya Got Class (& BOB HOPE)  
10: When You Love Someone  
11: Ali Baba (Be My Baby)  
12: It's Torment (& TONY MARTIN)  
13: Opening  
14: Man And Woman (& GUY MITCHELL)  
15: Red Garters  
16: Ladykiller (& GUY MITCHELL  
17: Good Intensions  
18: Bad News  
19: Brave Man  
20: Finale  
21: Opening  
22: Santa Claus (& BING CROSBY & DANNY KAYE)  
23: White Christmas (& BING CROSBY)  
24: Sisters  
25: Snow  
26: I'd Rather See A Minstrel Show  
27: Count Your Blessings Instead Of Sheep  
28: Love, You Didn't Do Right By Me  
29: Choreography (& DANNY KAYE)  
30: Gee, I Wish I Was Back In The Army  
31: Finale  
32: Mr. & Mrs. (& JOSE FERRER)  

 

Artikeleigenschaften von Rosemary Clooney: Come On-A My House (7-CD)

  • Interpret: Rosemary Clooney

  • Albumtitel: Come On-A My House (7-CD)

  • Artikelart Box set

  • Genre Pop

  • Music Genre Pop
  • Music Style Pop Vocal
  • Music Sub-Genre 281 Pop Vocal
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode GK
  • SubGenre Pop - Vocal Pop

  • EAN: 4000127158956

  • Gewicht in Kg: 2.100
 
 

Interpreten-Beschreibung "Clooney, Rosemary"

ROSEMARY CLOONEY

MEMORIES OF YOU

 “I remember something that Jo Stafford said to me,” Rosemary Clooney recalls. “She said, ‘You will never sing better than when you are pregnant.’”

 The science may be inconclusive, but Stafford had a point. Clooney’s phenomenal wave of success had begun just a few years earlier with Come On-A My House. But the middle and late 1950s—the years covered by this second volume of Bear Family’s anthology of Clooney’s complete recordings—finds the singer not only at the height of her powers, but with a blossoming domestic life centered on her new husband, Jose Ferrer, and the arrival of their five children. This set begins appropriately with the Al Hoffman-Bob Merrill song, Where Will The Dimple Be, from a January, 1955 session. Less than a month later, Miguel Jose Ferrer was born, and Rosemary’s children would then come about a year apart through the end of the decade.

The Ferrers had settled into their Roxbury Drive home in Beverly Hills, a house inhabited by the Gershwin brothers at the end of George’s life, where they’d written Love Is Here To Stay. Ira now lived next door with his wife Leonore. For Rosemary, it was a time when everything in her life seemed to come together. The uncertainties of her own childhood in Maysville, Kentucky, when she and her sister Betty were shuttled between relatives for their care, now gave way to the security and joy of having her own family around her. Joe Ferrer divided his energies between motion pictures and maintaining his prolific acting and directing schedule on Broadway. The house was endlessly filled with the couple’s friends from the musical, theatrical and literary establishments, who spent long California days swimming in the pool, playing tennis and debating the affairs of the world over drinks and dinner.

At the same time, Rosemary’s career remained in high gear. Mitch Miller’s tutelage at Columbia had transformed her from Tony Pastor’s ex-girl singer into an international star with number-one chart records one after the other over the last four years. ‘White Christmas’, the hallmark of her film career at Paramount, had just been released in 1954, cementing her identification in the public mind with her co-star and mentor, Bing Crosby. As a new mother, she maintained a hectic agenda of radio, television and personal appearances, along with continuing her prodigious recording schedule for Columbia. Rarely, now, were the sessions conducted in New York, as they had often been in the early days under Miller’s eye. With Rosemary ever-more ensconced in California, distance was added to the already existing tensions between the singer and Columbia’s A&R wizard, and as the ‘50s wore on, Miller’s influence over Clooney’s recording career--from style to choice of material--lessened drastically.

In the summer of 1955, with baby and nanny in tow, Mr. and Mrs. Ferrer left for an extended stay in England. While Ferrer was there to finish filming ‘Cockleshell Heroes’ with Trevor Howard, Rosemary would make her debut at the London Palladium for a two week engagement. They took an old mill house in the country on the Cone River, up against one of England’s interior canals, and with a lake on the property. They had an Italian couple cooking for them, and picked up a basset hound named George (it was Rosemary and Betty’s Uncle George Guilfoyle, recently home from the war, who’d been the teenagers’ chaperone when they went on the road with the Pastor band).

“England was a very happy time, a very fun time,” Rosemary remembers, “because we were close to friends in the country, and we had people around every Sunday. I remember Dietrich came over and wanted to go fishing. So we found some rods there, and she found some worms. And she was talking to the worms, as she’s putting them on the hook: ‘Now, this isn’t going to hurt you…’”

Clooney put the Palladium job in the hands of Buddy Cole, whom she knew through her work with Bing Crosby on the radio. (In fact, just before the trip she and Cole had done a radio broadcast that produced exceptional recordings of Learnin’ The Blues, Cherry Pink, and a luscious Ebb Tide.)

They traveled to Glasgow before the July 19 London opening in order to break in the show. “The Palladium was very important to me,” Rosemary says. There was a two-a-day policy, with a six o’clock show catering to the working man, and a gallery that liked to talk back. “I remember in Glasgow, while I was singing, hearing ‘Roooooosemarrie!’ I finally stopped and said, ‘What do you want?’ ‘He said, ‘Come On-A My House!’…”

Although Clooney was accustomed to making personal appearances (it actually hadn’t been all that long since her bandsinger days), the back-and-forth with an audience was still not that comfortable for her, and it would be years before touring with Crosby taught her to feel significant ease before a crowd. Even so, the live record of her unscripted Palladium patter gives us an early glimpse of the easy, ad-libbing humor and straight-ahead personality for which she would eventually become legendary.

With Cole at the piano before the Skyrockets Orchestra, the show largely featured a sampling of Clooney’s signature hits to date, including Tenderly, This Ole House, Mambo Italiano, Botch-A-Me and of course, Come On-A My House. To the mix, she added Cole Porter’s From This Moment On and It’s Delovely, Irving Berlin’s tailor-made Love, You Didn’t Do Right By Me from ‘White Christmas’, You Make Me Feel So Young, Where Will The Dimple Be, The Brahms Lullaby, and always proud of her Irish heritage, Danny Boy—all of which created a sensation with a hysterically enthusiastic British audience. Both the man on the street and area luminaries (including Dietrich, Noel Coward, Laurence Olivier and Vivien Leigh) arrived nightly in droves, and their cheers produced a wall of sound that caused her to involuntarily flinch the first time it hit her.

The program, with its accumulated chart-topping songs of the past few years, affirmed the solidity of Clooney’s international stardom. At the same time, there is something retrospective about it, in that musically she was about to embark on a new chapter in her development as an artist. From that time forward, the nature of Clooney’s recorded work started to change. The rest of the ‘50s saw not only the singer in blissful vocal shape, but reaching beyond the novelty songs imposed on her by Miller and Columbia in the early years to deepen her range of material. Her growing maturity as a woman and a singer exerted itself not only in her more confident pursuit of what she felt was right for her, but carried over to a more consistent sophistication of arrangements and overall sound. Columbia’s commercial priorities, which (apart from Tenderlys) had planted Clooney firmly in the path of the kitschy and the kooky, now afforded her room for some significant explorations.

Benny Goodman and Rosemary were strangers when they were teamed to cut three records in November of 1955. A fan, she was well acquainted with his reputation as a musical perfectionist often difficult to work with. She also knew about The Ray – the legendary withering glare he would fix on any musician to have incurred his displeasure.“I liked him fine,” she says. “He was weird, but I liked him.” They were to record three of his signature tunes: Cole Porter’s It’s Bad For Me and Gordon Jenkins’ Goodbye with the sextet, and the Andy Razaf-Eubie Blake Memories Of You with the trio, the record would reach number 20 on the charts.

Their first rehearsal was held at the Ferrer apartment on West 57th Street, next to Carnegie Hall. It was the nanny’s day off, and Rosemary was looking after baby Miguel while waiting for the musicians, who included Aaron Bell on bass, Bobby Donaldson on drums, Dick Hyman on piano, Urbie Green on trombone and Buck Clayton on trumpet. Goodman arrived before the others. “I put Miguel in the playpen,” she recalls, “and I said ‘I didn’t have anyone to take care of him, so if you don’t mind, he’ll just play in the playpen—he wouldn’t be any trouble.’ So Benny put his clarinet together, and did a run up and down. And Miguel had never heard a sound like that before, and he started to cry. And Benny—very seriously—looked at Miguel, and said, ‘He doesn’t like the way I play.’ And I started to laugh. Then I realized that he was not kidding.”

Rosemary Clooney Memories Of You (7-CD)
Read more at: https://www.bear-family.com/clooney-rosemary-memories-of-you-7-cd.html
Copyright © Bear Family Records

 
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