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King Curtis & Others Wail Man Wail! Best 1952-61 (3-CD Digipac)

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Artikel-Nr.: CDFV088

Gewicht in Kg: 0,150


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King Curtis & Others: Wail Man Wail! Best 1952-61 (3-CD Digipac)

(2012/FV) 96 tracks with 16 page booklet. With No Less Than 96 Tracks From The First 10 Years Of His Career Wail Man Wail! Is A Fitting Tribute To The Celebrated Saxophonist And Bandleader, King Curtis, Whose Recording Career Commenced 60 Years Ago And Was Cut Short By His Murder In 1971. Wail Man Wail! Showcases Curtis Both As Featured Artist And As Bandleader Or Session Player For A Who's Who Of R&B, Rock & Roll And Pop Legends.


King Curtis & Others - Wail Man Wail! Best 1952-61 (3-CD Digipac) Medium 1
1: No More Crying On My Pillow CURTIS, King & His Tenor Sax
2: Tenor In The Sky CURTIS, King & His Tenor Sax
3: Movin' On CURTIS, King
4: Rockabye Baby CURTIS, King
5: Open Up CURTIS, King
6: King's Rock CURTIS, King
7: Dynamite At Midnight CURTIS, King
8: The Stranger CURTIS, King
9: Steel Guitar Rag CURTIS, King
10: Wicky Wacky, Part 1 CURTIS, King
11: Wicky Wacky, Part 2 CURTIS, King
12: The Count And The King CURTIS, King & Count Hastings
14: Battle Royal CURTIS, King & Count Hastings
15: Jest Smoochin' CURTIS, King & ROYAL MEN
16: Birth Of The Blues CURTIS, King & ROYAL MEN
17: Ific CURTIS, King & His Orchestra
18: You Made Me Love You CURTIS, King & His Orchestra
19: Castle Rock CURTIS, King & His Orchestra
20: Chili CURTIS, King & His Orchestra
21: Honeydripper (Part 1) CURTIS, King & His Orchestra
22: Honeydripper (Part 2) CURTIS, King & His Orchestra
23: Peter Gunn CURTIS, King & His Orchestra
24: Heavenly Blues CURTIS, King & His Orchestra
25: Restless Guitar CURTIS, King & His Orchestra
26: King Neptune's Guitar CURTIS, King
27: Beatnik Hoedown CURTIS, King
28: The Lone Prairie CURTIS COMBO, King
29: Jay Walk CURTIS COMBO, King
30: St. Louis Blues JACKSON, Sonny
31: My Babe JACKSON, Sonny
32: Hot-Rod CURTIS, King
King Curtis & Others - Wail Man Wail! Best 1952-61 (3-CD Digipac) Medium 2
1: I'll Be There DANIELS, Melvin & King Curtis  
2: Korea, Korea KENT BAND, Bob  
3: Boogie In The Moonlight (Aka Lean Chicks) DANIELS, Melvin & King Curtis  
4: Work, Little Carrie, Work DOC POMUS ALL STARS  
5: Woman, Woman, Woman SPARKS OF RHYTHM  
6: Why Do Me That Way BURKE, Solomon  
7: Mr. Bear Comes To Town MR BEAR & His Bearcats  
8: If (You Want To Be My Baby) DILLARD, Varetta  
9: Dee Dat Dee Dum Dum GAINES, Roy  
10: Mumbles Blues BIG CONNIE  
11: I'm Going Crazy TIBBS BROTHERS  
12: Bamboo Rock 'N' Roll NITECAPS  
13: In The Morning WASHBOARD BILL  
14: Our Love Will Never End AVONS  
15: Don't Push, Don't Pull, Don't Shove WILLOWS  
16: Gum Shoe THOMPSON ORCHESTRA, Sonny  
17: I'm Going Home MICKEY & SYLVIA  
18: Oh! You Sweet Girl NITECAPS  
19: Rib Joint PRICE, Sam & His Texas Bluesi  
20: Juicy Fruit GREENE, Rudy  
21: Wail Man Wail LOWE, Sammy & His Orchestra  
22: You're The One For Me GREENE, Rudy  
23: Pot Likker WASHBOARD BILL  
24: Ice Cream Baby THE PEARLS  
25: Handy Andy FIVE KEYS  
26: Before You Go TWIN-TONES  
27: Blues, Early Early (Parts 1&2) BIG MAYBELLE  
28: Rack'Em Back SPRIGGS, Walter  
29: The Stroll DIAMONDS  
King Curtis & Others - Wail Man Wail! Best 1952-61 (3-CD Digipac) Medium 3
1: (We're Gonna)Jump For Joy TURNER, Joe & Howard Biggs Or  
2: Keep A-Driving WILLIS, Chuck  
3: Crowded Classroom STROLLERS  
4: The Shadow Knows COASTERS  
5: Lady Love DEL-LARKS  
6: Keep A Walkin' DARIN, Bobby  
7: Rock And Ree-Ah-Zole BOBBETTES  
8: Yakety Yak COASTERS  
9: Switchen In The Kitchen PRETTY BOY & Lee Simms Orches  
10: In The Mood DAVIE, Hutch  
11: Just Multiply DILLARD, Varetta & Sid Bass  
12: Crawfish STONE CRUSHERS  
13: Fine Little Girl ARCADES  
14: This Little Girl's Gone Rockin' BROWN, Ruth & Howard Biggs O  
15: When Sin Stops JENNINGS, Waylon  
16: That Is Rock & Roll COASTERS  
17: I Ain't Sharin' Sharon DARIN, Bobby  
18: You Gotta Learn Your Rhythm And Blues SEDAKA, Neil  
19: The Lover's Curse EVERETT, Bracey  
20: Charlie Brown COASTERS  
21: Jole Blon JENNINGS, Waylon  
22: Always TURNER, Sammy & Stan Applebau  
23: Takin' Care Of Business BROWN, Ruth & Howard Biggs Or  
24: Stupid Cupid SEDAKA, Neil  
25: Besame Mucho (Part 2) COASTERS  
26: More Juice HAMPTON, Lionel & His Orchest  
27: Your Love HAMILTON, Roy  
28: Madisonville (Part 1) STROLLS feat. King Curtis  
29: Madisonville (Part 2) STROLLS feat. King Curtis  
30: Shoppin' For Clothes COASTERS  
31: Tossin' And Turnin' LEWIS, Bobby & Joe Rene Orche  
32: Hearts Of Stone TOP NOTES & Teddy Randazzo Or  
33: Better Forget Him SHELLS  
34: Off To Work Again HARRISON, Wilbert  


Artikeleigenschaften von King Curtis & Others: Wail Man Wail! Best 1952-61 (3-CD Digipac)

  • Interpret: King Curtis & Others

  • Albumtitel: Wail Man Wail! Best 1952-61 (3-CD Digipac)

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre Rhythm & Blues
  • Music Style Rhythm & Blues
  • Music Sub-Genre 251 Rhythm & Blues
  • Erscheinungsjahr 2012

  • SubGenre R&B Music - Classic R&B

  • EAN: 5055311000886

  • Gewicht in Kg: 0.150

Interpreten-Beschreibung "Curtis, King & Others"

King Curtis

& The Noble Knights

"Play that one called 'Soul Twist,'” sings Sam Cooke in Having A Party, underscoring the fact that this was a pretty big hit in 1962: #1 R&B and #17 pop. It was also the first record on Bobby Robinson's Enjoy label (the label on which Robinson claims to have released the first rap record by Grandmaster Flash, although this is the subject of dispute). Robinson was an African American entrepreneur who'd signed Gladys Knight, Lee Dorsey, Wilbert Harrison, and many others to his multitude of labels, including Fire and Fury. Enjoy Records was an imprint he started in 1962 with his brother, Danny, who co-produced this record.

King Curtis (Curtis Ousley) was born in Fort Worth on February 7, 1934, and was ten when he heard the sound that would change his life. "It was Louis Jordan," he told Mike Hennessey in 1971.  "I heard him on the radio, and I told my mother that I wanted to play that instrument more than anything." Asked when he took up the sax, Curtis said May 12, 1945. Very soon, he developed his trademark staccato phrasing and was making $240 a week in the clubs—more than the principal at the school he was supposed to be attending. "I liked Gene Ammons, Dexter Gordon, Lester Young, and Sonny Stitt," Curtis said. "I also dug Ben Webster and Coleman Hawkins for ballads, (Stan) Getz for facility, Charlie Parker for technique.” By the time Curtis went to New York to visit an uncle in 1952, he could play pretty, he could play tough, he could play jazz, and he could play R&B. He hired on with a package show and made his first recordings with Bob Kent in 1952 for a Prestige Records subsidiary. Soon after, he went back to Fort Worth to take up a music scholarship. Then Lionel Hampton came through town looking for a sax player.

Hamp disbanded in New York, and Curtis stayed. It wasn't long before he was called for session work. "I saw that the music was dividing,"  he told Mike Hennessey, "and I had the commercial business sense to realize that way-out jazz wasn't getting to the public."  The first contractor to use Curtis regularly was Jesse Stone, who A&R'd sessions for Groove and Atlantic. "Around 1956, Sam 'The Man' Taylor and myself were doing all the tenor work," said Curtis. "He really initiated the style, and I learned a lot from him when we both played in the Alan Freed band. I was doing around sixteen record dates a week, and getting $41.25 for a three-hour session, but I could see if I kept on that way I'd burn myself out, so I made my minimum session price one hundred dollars, and still the work kept coming in, so I cut down to eight sessions a week." Most nights, Curtis played after hours at Small's Paradise. He made a few recordings under his own name, none of which amounted to anything. Most of his tunes were grooves or shouts, but he wrote (and played on) Buddy Holly's Reminiscing and later co-wrote Soul Serenade, which has an almost Ellingtonian lyricism.

Talking to Art Turco, Bobby Robinson remembered going to see Curtis at Small's Paradise. "I found out why he had never had a hit," he said. "What was wrong was that he was doing too much honking. Every record he would blow from beginning to end. I said, 'Listen, we're going to open this one with the guitar.' He had a fit." And so Soul Twist featured Billy Butler (the guitarist on Honky Tonk) and organist Paul Griffin, and after playing on more hits than he could count, King Curtis finally had a #1 R&B hit with his own name on it.

King Curtis Capitol Years 1962-1965 (3-CD)
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