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The Supremes At The Copa...plus (2-CD) Limited Edition

At The Copa...plus (2-CD) Limited Edition
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  • CDHIP96685
  • 0.17
CD on HIP-O SELECT RECORDS by The Supremes - At The Copa...plus (2-CD) Limited Edition mehr

The Supremes: At The Copa...plus (2-CD) Limited Edition

CD on HIP-O SELECT RECORDS by The Supremes - At The Copa...plus (2-CD) Limited Edition

Artikeleigenschaften von The Supremes: At The Copa...plus (2-CD) Limited Edition

  • Interpret: The Supremes

  • Albumtitel: At The Copa...plus (2-CD) Limited Edition

  • Label HIP-O SELECT

  • Genre R&B, Soul

  • Artikelart CD

  • EAN: 0602527966854

  • Gewicht in Kg: 0.17
Ross, Diana & The Supremes - At The Copa...plus (2-CD) Limited Edition CD 1
01 Opening Introduction The Supremes
02 Put On A Happy Face The Supremes
03 I Am Woman The Supremes
04 Baby Love The Supremes
05 Stop! In The Name Of Love The Supremes
06 The Boy From Ipanema The Supremes
07 Make Someone Happy/Time After Time The Supremes
08 Come See About Me The Supremes
09 Rock-A-Bye Your Baby With A Dixie Melody The Supremes
10 Queen Of The House The Supremes
11 Group Introduction The Supremes
12 Somewhere The Supremes
13 Back In My Arms Again The Supremes
14 Sam Cooke Medley: You Send Me/(I Love You)... The Supremes
15 You're Nobody 'til somebody Loves You The Supremes
16 Bonus Tracks: The Supremes
17 Put On A Happy Face The Supremes
18 Stop! In The Name Of Love The Supremes
19 The Boy From Ipanema The Supremes
20 Come See About Me The Supremes
21 Enjoy Yourself (It's Later Than You Think) The Supremes
22 Rock-A-Bye Your Baby With A Dixie Melody The Supremes
23 Where Did Our Love Go The Supremes
24 Nothing But Heartaches The Supremes
25 Back In My Arms Again The Supremes
26 Sam Cooke Meldey: You Send Me/(I Love You)... The Supremes
Ross, Diana & The Supremes - At The Copa...plus (2-CD) Limited Edition CD 2
01 Opening Introduction The Supremes
02 From This Moment On The Supremes
03 Put On A Happy Face The Supremes
04 Tonight/The Way You Look Tonight The Supremes
05 Baby Love The Supremes
06 Stop! In The Name Of Love The Supremes
07 The Boy From Ipanema The Supremes
08 Where Did Our Love Go The Supremes
09 I Am Woman The Supremes
10 Band Introduction The Supremes
11 Make Someone Happy/Time After Time The Supremes
12 Come See About Me The Supremes
13 Rock-A-Bye Your Baby With A Dixie Melody The Supremes
14 Queen Of The House The Supremes
15 Group Introduction The Supremes
16 Somewhere The Supremes
17 Nothing But Heartaches The Supremes
18 Enjoy Yourself (It's Later Than You Think) The Supremes
19 Back In My Arms Again The Supremes
20 Sam Cooke Medley: You Send Me/(I Love You)... The Supremes
21 You're Nobody 'til Somebody Loves You The Supremes
The Supremes Where Did Our Love Go The Supremes Where Did Our Love Go  ... mehr
"The Supremes"

The Supremes

Where Did Our Love Go

The Supremes

Where Did Our Love Go

 

Wags around Hitsville U.S.A. had sarcastically labeled Diana Ross's group the "no-hit" Supremes early in their Motown tenure, but that was before Berry Gordy sagely handed their artistic direction to Brian Holland, Lamont Dozier, and Eddie Holland. Soon enough, the Supremes were the top female vocal group in the country.

Fronted by Diana Ross (born March 26, 1944 on Detroit's East Side), the Supremes started out as the Primettes with Florence Ballard their main lead singer. The Primettes waxed their only single in 1960 for Robert West's LuPine label, Tears Of Sorrow featuring Ross while the flip, Pretty Baby, cast Mary Wilson as lead. In '61, they signed with Motown, choosing their name from a list supplied by Ballard and debuting with I Want A Guy. But only Your Heart Belongs To Me, Let Me Go The Right Way, and A Breath Taking Guy nicked the pop charts prior to H-D-H handing them the Spectoresque anthem When The Lovelight Starts Shining Through His Eyes, a sizable pop seller in 1963.

Where Did Our Love Go had been shunned by Gladys Horton, lead singer of the Marvelettes. "When the track was cut, I called her back and she just said out and out, she said, 'I don't like that!'" says Dozier. The Supremes weren't too thrilled with it either. "That was one that for us didn't sound like one, didn't feel like one that we thought it should feel like," says Mary. "My brother wanted Mary Wilson to sing that song first. And what had happened was, Lamont and I disagreed," says Brian Holland. "Lamont and I won out."

Dozier was determined to change Ross's vocal sound. "I hated her voice up in the sky like that on a lot of those songs," he says. "It was whiny to me. It didn't have enough substance. So this particular song was in Gladys Horton's key, 'cause that's how I envisioned it. It was low and sexy, like a Julie London or something kind of voice, foggy. So we tried that approach with Diana, bringing her off of those high notes and high keys that she sang in, and bring her down to this little sultry thing." Two other key ingredients: the relentless footstomps of Mike Valvano, whose Mike & the Modifiers briefly cut for Motown, and Mike Terry's burbling baritone sax,

a recurring motif on future triumphs by the lovely trio. Where Did Our Love Go topped the pop and R&B charts as the Supremes commenced their march to superstardom.

- Bill Dahl -

Various - Sweet Soul Music

31 Scorching Classics From 1964

Read more at: https://www.bear-family.de/various-sweet-soul-music-31-scorching-classics-from-1964.html
Copyright © Bear Family Records

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