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Ike Turner Blues Roots - Bad Dreams

Blues Roots - Bad Dreams
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  • CDBGOCD1037
  • 0.1
(1972/73 'United Artists') (78:00/24) Zwei Original-LPs auf einer CD mehr

Ike Turner: Blues Roots - Bad Dreams

(1972/73 'United Artists') (78:00/24) Zwei Original-LPs auf einer CD

Artikeleigenschaften von Ike Turner: Blues Roots - Bad Dreams

  • Interpret: Ike Turner

  • Albumtitel: Blues Roots - Bad Dreams

  • Genre Blues

  • Label BGO RECORDS

  • Artikelart CD

  • EAN: 5017261210371

  • Gewicht in Kg: 0.1
Turner, Ike - Blues Roots - Bad Dreams CD 1
01 You're Still My Baby
02 Tacks In My Shoes
03 The Things I Used To Do (I Don't Do No More)
04 Going Home
05 Lawdy Miss Clawdy
06 Right On
07 Think
08 Rockin' Blues
09 That's Alright
10 My Babe
11 Broken Hearted
12 If You Love Me Like You Say
13 These Dreams
14 That's How Much I Love You
15 One Nite Stand
16 Dust My Broom
17 Don't Hold Your Breath
18 (You Can Have) The City
19 Flockin' With You
20 Take A Walk With Me
21 You Won't Let Me Go
22 Later For You Baby
23 Rats
24 I Love The Way You Love
Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the... mehr
"Ike Turner"

Ike and Tina Turner evolved one of the most dramatically successful rock stage acts of the Seventies after a career em­bracing most forms of blues and soul. Ike Turner was born in Clarksdale, Mississippi, deep in the Delta cotton belt, on Nov. 5, 1931. A disc-jockeying job at station WROX led to the formation of the Kings Of Rhythm, a band of local musi­cians led by Turner. Their first record was 'Rocket 88' (Chess, 1951), sung by Jackie Brenston, a disc which is often cited as the first rock'n'roll recording.

Next, he became a talent scout in the southern states for Modern Records, fixing sessions by Bobby Bland, B, B. King, Howlin' Wolf and others. With the arrival of rock'n' roll in 1956, Turner moved north to St Louis, recording and playing in clubs with the Kings Of Rhythm. With them he evolved a revue format featuring various singers, while play­ing piano and guitar himself.

He found the focal point for the act in Annie Mae Bul­lock, who was born on Nov. 26, 1938 in Brownsville, Tennes­see, and moved to Knoxville, where she sang in the choir of her father's church. She was known at first as Little Ann, but her first record, 'A Fool In Love', was credited to Ike and Tina Turner. Released on Sue in 1960, it reached No. 2 in the R&B charts, No. 27 in the pop charts and eventually sold a million. That success led to the formation of the Ikettes (of which P. P. Arnold, Merry Clayton and Bonnie Bramlett have been members at one time) to back Tina, and the con­struction of the stage act which has persisted until the present day, in its essential features.

Like many black artists, Ike Turner has proved himself able to adapt to changing moods in both black and white audiences while still producing worthwhile music on many of the thirty-odd albums he and Tina have recorded for Sue, Warner Bros., Philles, Blue Thumb and United Artists amongst others. Perhaps surprisingly, they have had few major hits. 'It's Gonna Work Out Fine' (Sue, 1961), a fiery blues classic, was the most successful until their Top Ten version of 'Proud Mary' (Liberty, 1971), the funky, futuristic `Nutbush City Limits' (United Artists, 1973) and 'Sweet Rhode Island Red' (1974). In 1966, Ike Turner relinquished production control to Phil Spector for the remarkable 'River Deep — Mountain High'. It reached only No. 88 in America but was a Top Three record in Britain.

By the Seventies, Ike had his own studios, Bolic, and recorded a highly personal solo album, Blues Roots (United Artists, 1971), which suggested that the increasingly spec­tacular and regimented stage act, centred on Tina's flaunting sexuality, might be less than satisfying for him.

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