The Four Tunes Complete Jubilee Sessions (2-CD)
- Artikel-Nr.: CDNED229
- Gewicht in Kg.: 0.12
The Four Tunes: Complete Jubilee Sessions (2-CD)
Original Stock Kopien dieses lange Zeit gelöschten Doo Wop Edelsteins!*****
Artikeleigenschaften von The Four Tunes: Complete Jubilee Sessions (2-CD)
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Interpret: The Four Tunes
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Albumtitel: Complete Jubilee Sessions (2-CD)
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Label Castle
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Genre R&B, Soul
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Artikelart CD
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EAN: 5023224222923
- Gewicht in Kg: 0.12
| Four Tunes, The - Complete Jubilee Sessions (2-CD) CD 1 | ||||
|---|---|---|---|---|
| 01 | Marie | The Four Tunes | ||
| 02 | I Gambled With Love | The Four Tunes | ||
| 03 | I Understand | The Four Tunes | ||
| 04 | Sugar Lump | The Four Tunes | ||
| 05 | My Wild Irish Rose | The Four Tunes | ||
| 06 | Do Do Do It Again | The Four Tunes | ||
| 07 | The Greatest Feeling In The World | The Four Tunes | ||
| 08 | Lonesome | The Four Tunes | ||
| 09 | L'Amour Toujours L'Amour | The Four Tunes | ||
| 10 | Don't Cry Darling | The Four Tunes | ||
| 11 | Dancing With Tears In My Eyes | The Four Tunes | ||
| 12 | Far Away Places | The Four Tunes | ||
| 13 | Let Me Go Lover | The Four Tunes | ||
| 14 | I Sold My Heart To The Junkman | The Four Tunes | ||
| 15 | Good News (Chariot's Comin') | The Four Tunes | ||
| 16 | You Are My Love | The Four Tunes | ||
| 17 | At The Steamboat River Ball | The Four Tunes | ||
| 18 | A Yellow Moon Sailing By | The Four Tunes | ||
| 19 | I Hope | The Four Tunes | ||
| 20 | I Close My Eyes | The Four Tunes | ||
| 21 | Time Out For Tears | The Four Tunes | ||
| 22 | Tired Of Waitin' | The Four Tunes | ||
| 23 | Brooklyn Bridge | The Four Tunes | ||
| 24 | Three Little Chickens | The Four Tunes | ||
| Four Tunes, The - Complete Jubilee Sessions (2-CD) CD 2 | ||||
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| 01 | Rock And Roll Call | The Four Tunes | ||
| 02 | Our Love | The Four Tunes | ||
| 03 | I Gotta Go | The Four Tunes | ||
| 04 | Hold Me Closer | The Four Tunes | ||
| 05 | Lonesome For You | The Four Tunes | ||
| 06 | Rock And Egg Roll | The Four Tunes | ||
| 07 | I Cried | The Four Tunes | ||
| 08 | Help Me | The Four Tunes | ||
| 09 | Rose Marie | The Four Tunes | ||
| 10 | Marquita | The Four Tunes | ||
| 11 | A Little On The Lonely Side | The Four Tunes | ||
| 12 | I'll Try | The Four Tunes | ||
| 13 | Cool Water | The Four Tunes | ||
| 14 | Ballad Of James Dean | The Four Tunes | ||
| 15 | Sayonara | The Four Tunes | ||
| 16 | Love Is Calling | The Four Tunes | ||
| 17 | You Don't Love Me No More | The Four Tunes | ||
| 18 | Come To Me | The Four Tunes | ||
| 19 | All Torn Up (previously unreleased demo) | The Four Tunes | ||
| 20 | I Want My Baby To Come Home (prev.unr.demo) | The Four Tunes | ||
| 21 | True Love (previously unreleased demo) | The Four Tunes | ||
| 22 | You're An Angel (prev. unreleased demo) | The Four Tunes | ||
| 23 | Sometime, Sometime (unfinished demo) | The Four Tunes | ||
The Four Tunes
The Four Tunes with Sid Bass Orch.
Marie
Ending their major label affiliation with RCA Victor rejuvenated The Four Tunes as hitmakers. Jerry Blaine's Jubilee Records was in the process of revitalizing the chart fortunes of their flagship group, The Orioles, with Crying In the Chapel (see Track Two), and Jubilee found the right formula to accomplish the same thing with their new acquisition.
Little else had changed for the quartet, which had settled into a rewarding itinerary of bookings at top clubs up and down the Eastern seaboard as well as further afield. The group had moved over to RCA in 1949 after making their mark with Deek Watson as The Brown Dots, then on their own at Manor Records as The Sentimentalists and from 1947 as The Four Tunes. There hadn't been any personnel changes along the way; tenors Jimmie Nabbie and Danny Owens, baritone/guitarist Pat Best, and bass Jimmy Gordon had been together since the mid-'40s, their impeccably honed sound slowly fading from prominence.
Jubilee found a way to make them relevant again. Marie, their first single for their new label (cut September 11, 1953), would seem an odd choice for a career resurgence. Written by Tin Pan Alley immortal Irving Berlin, it had been a 1929 hit for Rudy Vallee and crashed the pop charts again in '37 via Tommy Dorsey's revival. Arranger Sid Bass souped up the Tunes' rendition, taken at a breakneck pace with Nabbie leading his pals through some wild vocal gymnastics that grabbed enough R&B coin to earn a #2 showing on 'Billboard's 'Juke Box' listings late in the year and sent it to #13 pop as well (the flip I Gambled With Love was straight pop).
Decca tried to counter by digging out vintage versions of Marie by The Mills Brothers and Louis Armstrong, but the gambit didn't slow the Tunes' singular treatment down. Its enduring appeal was illustrated when a similar rendition by an Irish group, The Bachelors, was a pop hit on both sides of the Atlantic in 1965.
That comeback hit wasn't a fluke. The Tunes did even better the next year with the pure pop ballad I Understand Just How You Feel (written and fronted by Best), soaring to #6 pop and #7 R&B. They stuck around Jubilee into 1957, keeping their releases primarily pop-oriented, without scoring a third smash. By then, they were a Las Vegas institution (Best and Gordon kept the act going until the late '90s).
Various - Street Corner Symphonies Vol.05, 1953 The Complete Story Of Doo Wop
Read more at: https://www.bear-family.de/various-street-corner-symphonies-vol.05-1953-the-complete-story-of-doo-wop.html
Copyright © Bear Family Records
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