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Bill Monroe Blue Grass 1950-1958 (4-CD)

Blue Grass 1950-1958 (4-CD)
 
 
 

Artikel-Nr.: BCD15423

Gewicht in Kg: 1,200

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

59,95 € *
 
 
 
 
 

Bill Monroe: Blue Grass 1950-1958 (4-CD)

4-CD Box (LP-Format) mit 48-seitigem Buch, 109 Einzeltitel. Spieldauer ca. 282 Minuten.

Bluegrass ist Bill Monroes Baby! Viele seiner besten Aufnahmen sind in dieser großartigen Sammlung enthalten. 1950 unterschrieb er einen Vertrag bei Decca und begann, Klassiker wie New Mule Skinner Blues,
I'm Blue I'm Lonesome, Uncle Pen, Gotta Travel On, Roanoke, Molly And Tenbrooks, Footprints In The Snow und Blue Moon Of Kentucky aufzunehmen. Die Bluegrass Boys bei diesen Sessions bestehen u.a. aus Jimmy Martin, Carter Stanley, Sonny Osborne, Gordon Terry und Kenny Baker. Jahrelang waren diese Aufnahmen nicht lieferbar, bewegende, intensive und passionierte Musik. Ultimativer Bluegrass.

4-CD Box (LP-Format) mit 48-seitigem Buch, 109 Einzeltitel. Spieldauer ca. 282 Minuten


 

Songs

Monroe, Bill - Blue Grass 1950-1958 (4-CD) Box set 1
1: New Muleskinner Blues
2: My Little Georgia Rose
3: Memories Of You
4: I'm On My Way To The Old Home
5: Alabama Waltz
6: I'm Blue, I'm Lonesome
7: I'll Mee You In Church Sunday Morning
8: Boat Of Love
9: The Old Fiddler
10: Uncle Pen
11: When The Golden Leaves Begin To Fall
12: Lord Protect My Soul
13: River Of Death
14: Letter From My Darling
15: On The Old Kentucky Shore
16: Raw Hide
17: Poison Love
18: Kentucky Waltz
19: Prisoner's Song
20: Swing Low Sweet Chariot
21: Angels Rock Me To Sleep
22: Brakeman's Blues/Travelin' Blues
23: When The Cactus Is In Bloom
Monroe, Bill - Blue Grass 1950-1958 (4-CD) Box set 2
1: My Carolina Sunshine Girl
2: Ben Dewberry's Final Run
3: Peach Pickin' Time In Georgia
4: Those Gambler's Blues
5: Highway Of Sorrow
6: Rotation Blues
7: Lonesome Truck Driver's Blues
8: Sugar Coated Love
9: You're Drifting Away
10: Cabin Of Love
11: Get Down On Your Knees And Pray
12: Christmas Time's A-Coming
13: The First Whippoorwill
14: In The Pines
15: Footprints In The Snow
16: Walking In Jerusalem
17: Memories Of Mother And Dad
18: The Little Girl And The Dreadful Snake
19: Country Waltz
20: Don't Put It Off Til Tomorrow
21: My Dying Bed
22: A Mighty Pretty Waltz
23: Pike County Breakdown
24: Wishing Waltz
25: I Hope You Have Learned
26: Get Up John
Monroe, Bill - Blue Grass 1950-1958 (4-CD) Box set 3
1: Plant Some Flowers By My Grave
2: Changing Partners
3: Y'All Come
4: On And On
5: I Believed In You Darling
6: New John Henry Blues
7: White House Blues
8: Happy On My Way
9: I'm Working On A Building
10: A Voice From On High
11: He Will Set Your Fields On Fire
12: Close By
13: My Little Georgia Rose
14: Put My Little Shoes Away
15: Blue Moon Of Kentucky
16: Wheel Hoss
17: Cheyenne
18: You'll Find Her Name Written There
19: Roanoke
20: Wait A Little Longer, Please Jesus
21: Let The Light Shine Down On Me
22: Used To Be
23: Tall Timber
24: Brown County Breakdown
25: A Fallen Star
26: Four Walls
27: A Good Woman's Love
28: Cry Cry Darlin'
29: I'm Sittin' On Top Of The World
Monroe, Bill - Blue Grass 1950-1958 (4-CD) Box set 4
1: Roane County Prison
2: Goodbye Old Pal
3: In Despair
4: Molly And Tenbrooks
5: Come Back To Me In My Dreams
6: Sally-Jo
7: Brand New Shoes
8: A Lonesome Road
9: I Saw The Light
10: Lord, Build Me A Cabin In Glory
11: Lord Lead Me On
12: Precious Jewel
13: I'll Meet You In The Morning
14: Life's Railway To Heaven
15: I've Found A Hiding Place
16: Jesus Hold My Hand
17: I Am A Pilgrim
18: Wayfaring Stranger
19: A Beautiful Life
20: House Of Gold
21: Panhandle Country
22: Scotland
23: Gotta Travel On
24: No One But My Darlin'
25: Big Mon
26: Monroe's Hornpipe

 

Artikeleigenschaften von Bill Monroe: Blue Grass 1950-1958 (4-CD)

  • Interpret: Bill Monroe

  • Albumtitel: Blue Grass 1950-1958 (4-CD)

  • Artikelart Box set

  • Genre Country

  • Music Genre Country Music
  • Music Style Bluegrass
  • Music Sub-Genre 101 Bluegrass
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode DH
  • SubGenre Country - Bluegrass

  • EAN: 4000127154231

  • Gewicht in Kg: 1.200
 
 

Interpreten-Beschreibung "Monroe, Bill"

Bill Monroe

Record Labels: RCA, Columbia, Harmony, Decca, MCA, Stetson, Rebel
Erster Hit: Scotland (1958)

Bill Monroe, The Father Of Bluegrass Music, begann seine Schallplattenkarriere 1936 zusammen mit seinem Bruder Charlie als "The Monroe Brothers“. Neben den Blue Sky Boys zählten die Monroes zu den populärsten Duos der 30er Jahre. Nach der Trennung von Charlie 1938 gründete Bill zunächst eine Gruppe die er „Kentuckians“ und wenig später "Bluegrass Boys“ nannte. 1940 spielte er die ersten Aufnahmen für RCA ein, doch erst nach dem Zweiten Weltkrieg folgten die ersten Aufnahmen in jenem Stil, der im Verlauf der Jahre als „Bluegrass“ in die Geschichte der Country Music eingehen sollte.

Genau am 16. September 1946 wurden die ersten Bill Monroe Aufnahmen in den Castle Studios von Nashville - Tennessee aufgenommen, die man als Bluegrass bezeichnen kann, gekennzeichnet nicht nur durch Bill Monroe`s hohe scharfe Stimme und den harten Drive der Band, sondern vor allem durch das im 3-Finger-Stil gespielte 5-String-Banjo von Earl Scruggs. Das war für Columbia Records. Als Columbia dann später mit den Stanley Brothers eine weitere Bluegrass Band unter Vertrag nahm, verließ Monroe das Unternehmen und ging zur Decca, der späteren MCA. Bill Monroe, der mit seiner Band den Bluegrass Stil kreierte, hat selbst wenig zur Weiterentwicklung dieses Stils beigetragen. Dies haben andere besorgt. Er selbst spielt noch heute nach dem alten Konzept, hat keine weiteren Instrumente als Fiddle, Banjo, Gitarre, Mandoline und Bass zugelassen und singt noch immer hoch und scharf. Dennoch, die wichtigsten Bluegrassmusiker sind mehr oder weniger lang durch die harte Schule von Bill Monroe hindurch: Clyde Moody, Howdy Forrester, Don Reno, Red Smiley, Jimmy Martin, Carter Stanley, Vassar Clements, Chubby Wise und Byron Berline. 1970 wurde Bill Monroe in die Country Music Hall Of Fame aufgenommen.

 Bill Monroe

William Smith Monroe was born on September 13, 1911 near Rosine, Ohio County, Kentucky. His older brother Charles had been born on July 4, 1903. Bill was the youngest child of the eight children born to Malissa Vandiver and James Buchanan 'Buck' Monroe, a local farmer, coal miner, and timber cutter. Rosine was far from the rugged mountains of eastern Kentucky, but was set in the rolling hills of the western end of the state, about 30 miles from the Ohio River. Young Bill, like the rest of his family, grew up doing hard physical chores on the family's 653-acre farm -- an experience that instilled in him a work ethic that would dominate his life.

 The Monroe children relaxed with music. Buck Monroe was an especially fine flat-foot dancer, often featuring a dance called the 'Kentucky Back-Step,' and three of the sons--Birch, Charlie, and Bill--would later begin their careers by doing such dancing on stage. The brothers learned music from their mother, who sang the old classic ballads; from their Uncle Pen Vandiver, who was the region's best-known square dance fiddler; from the shape-note singing schools local churches and travelling teachers held in the summer; from local black musicians like Arnold Shultz, who played a blues-tinged thumbpicking guitar style; and from the stars of Chicago station WLS's 'National Barn Dance,' such as Mac and Bob, blind musicians who used mandolin and guitar; and The Prairie Ramblers, a hot string band from western Kentucky that featured a mandola. Bill --along with thousands of others-- also admired the Victrola records of Vernon Dalhart, Jimmie Rodgers, and Bradley Kincaid.

It was the younger of the Monroe children who became most involved with the music. Older brother Birch took up the fiddle, and Charlie and sister Bertha began playing guitar. When Bill was eight or nine, he began fooling around with instruments, mainly the guitar and mandolin; he really wanted to specialize in the fiddle or guitar, but as the youngest and smallest he was stuck with the mandolin in the family music sessions. In later years, Bill liked to tell about how his brothers would only let him use four strings on the mandolin (instead of the usual eight) so he wouldn't sound too loud.

1921 Malissa Monroe died and it was several years after this that Bill started playing music seriously. He began by playing guitar backup for his Uncle Pen at dances, and later spoke of Pen as "the fiddler that I learned to play from."  He also began to play dances with Arnold Shultz, a local black guitar player who was comfortable playing the blues, traditional Anglo tunes, pop music, and even jazz. (Friends of Shultz recall that he used to spend winters in New Orleans, where he picked up a fondness for 'passing' chords.) In 1927, when Bill was only 16, his father Buck Monroe passed away as well, and since his older brothers and sisters had already moved away, he was sent to live with his Uncle Pen. Bill continued to learn music from him.

Birch and Charlie Monroe, like so many young men in the late 1920s, had left the farm and gone north to work in the new factories supplying the auto industry. For a time they were in Detroit, and then moved to the East Chicago area, first to Hammond and then to Whiting, where they found jobs in oil refineries. Around 1929 Bill, who was now 18, came north to join them. His first job was working in the barrel house at the Sinclair refinery in which he moved huge, heavy drums of oil all day long--something that built his physique up to that resembling a weight lifter. It was a bruising job, but with the Depression hitting, it was the best available; Bill kept it for five years. Some of his brothers who had 'lighter' jobs were often out of work during these years, leaving young Bill as the sole support for parts of the family.

From booklet BCD16399 - Bill Monroe 1936-1949 (6-CD)
Read more at: https://www.bear-family.de/monroe-bill-1936-1949-6-cd.html
Copyright © Bear Family Records

 
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