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Charlie Patton Complete Recordings (5-CD Box)

Complete Recordings (5-CD Box)
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  • CDJSP7702
  • 0.5
(1929-34) (285:31/92) Fünf Einzel-CDs im Schuber. Die Tonqualität ist gut. mehr

Charlie Patton: Complete Recordings (5-CD Box)

(1929-34) (285:31/92) Fünf Einzel-CDs im Schuber. Die Tonqualität ist gut.

Artikeleigenschaften von Charlie Patton: Complete Recordings (5-CD Box)

  • Interpret: Charlie Patton

  • Albumtitel: Complete Recordings (5-CD Box)

  • Genre Blues

  • Label JSP Records

  • Artikelart CD

  • EAN: 0788065770228

  • Gewicht in Kg: 0.5
Patton, Charlie - Complete Recordings (5-CD Box) CD 1
01 Pony Blues Charlie Patton
02 A Spoonful Blues Charlie Patton
03 Down The Dirt Road Blues Charlie Patton
04 Prayer Of Death (part 1) Charlie Patton
05 Prayer Of Death (part 2) Charlie Patton
06 Screamin' And Hollerin' The Blues Charlie Patton
07 Banty Rooster Blues Charlie Patton
08 Tom Rushen Blues Charlie Patton
09 It Won't Be Long Charlie Patton
10 Shake It And Break It (But Don't Let It Fall) Charlie Patton
11 Pea Vine Blues Charlie Patton
12 Mississippi Boll Weevil Blues Charlie Patton
13 Lord, I'm Discouraged Charlie Patton
14 I'm Goin' Home Charlie Patton
15 Snatch It And Grab It Charlie Patton
16 A Rag Blues Charlie Patton
17 How Come Mama Blues Charlie Patton
18 Voice Throwin' Blues Charlie Patton
19 Hammer Blues (take 1) Charlie Patton
20 I Shall Not Be Moved Charlie Patton
21 High Water Everywhere (part 1) Charlie Patton
22 High Water Everywhere (part 2) Charlie Patton
23 I Shall Not Be Moved (alt.) Charlie Patton
24 Rattlesnake Blues Charlie Patton
25 Going To Move To Alabama Charlie Patton
26 Hammer Blues (take 2) Charlie Patton
27 Joe Kirby Charlie Patton
28 Frankie And Albert Charlie Patton
29 Magnolia Blues Charlie Patton
30 Devil Sent The Rain Charlie Patton
31 Runnin' Wild Blues Charlie Patton
32 Some Happy Day Charlie Patton
33 Mean Black Moan Charlie Patton
34 Green River Blues Charlie Patton
35 That's My Man Charlie Patton
36 Honey Dripper Blues #2 Charlie Patton
37 Eight Hour Woman Charlie Patton
38 Nickel's Worth Of Liver Blues #2 Charlie Patton
39 Some Of These Days I'll Be Gone Charlie Patton
40 Elder Green Blues (take 1) Charlie Patton
41 Jim Lee (part 1) Charlie Patton
42 Jim Lee (part 2) Charlie Patton
43 Mean Black Cat Blues Charlie Patton
44 Jesus Is A-Dying (Bed Maker) Charlie Patton
45 Elder Green Blues (take 2) Charlie Patton
46 When Your Way Gets Dark Charlie Patton
47 Some Of These Days I'll Be Gone (take 2) Charlie Patton
48 Heart Like Railwood Steel Charlie Patton
49 Circle Round The Moon Charlie Patton
50 You're Gonna Need Somebody When You Die Charlie Patton
51 Be True, Be True Blues Charlie Patton
52 Farrell Blues Charlie Patton
53 Tell Me Man Blues Charlie Patton
54 Come Back Corrina Charlie Patton
55 Some Summer Day Charlie Patton
56 Bird Nest Bound Charlie Patton
57 Future Blues Charlie Patton
58 M & O Blues Charlie Patton
59 Walkin' Blues Charlie Patton
60 My Black Mama (part 1) Charlie Patton
61 My Black Mama (part 2) Charlie Patton
62 Preachin' The Blues (part 1) Charlie Patton
63 Preachin' The Blues (part 2) Charlie Patton
64 Dry Spell Blues (part 1) Charlie Patton
65 Dry Spell Blues (part 2) Charlie Patton
66 All Night Long Blues (take 1) Charlie Patton
67 On The Wall Charlie Patton
68 All Night Long Blues (take 2) Charlie Patton
69 By The Moon And The Stars Charlie Patton
70 Long Ways From Home Charlie Patton
71 Dry Well Blues Charlie Patton
72 Moon Going Down Charlie Patton
73 We All Gonna Face The Rising Sun Charlie Patton
74 Moaner, Let's Go Down In The Valley Charlie Patton
75 Jesus Got His Arms Around Me Charlie Patton
76 God Won't Forsake His Own Charlie Patton
77 I'll Be Here Charlie Patton
78 Where Was Eve Sleeping? Charlie Patton
79 I Know My Time Ain't Long Charlie Patton
80 Watch And Pray Charlie Patton
81 High Sheriff Blues Charlie Patton
82 Stone Pony Blues Charlie Patton
83 Jersey Bull Blues Charlie Patton
84 Hang It On The Wall Charlie Patton
85 34 Blues Charlie Patton
86 Love My Stuff Charlie Patton
87 Poor Me Charlie Patton
88 Revenue Man Blues Charlie Patton
89 Troubled 'Bout My Mother Charlie Patton
90 Oh Death Charlie Patton
91 Yellow Bee Charlie Patton
92 Mind Reader Blues Charlie Patton
Charley Patton  A degree of mystery is always an attractive ingredient in the life of a... mehr
"Charlie Patton"

Charley Patton

 A degree of mystery is always an attractive ingredient in the life of a blues singer and sometimes lends credence to the often misapplied description "THE LEGENDARY".
Much has been written Ilabout Charley Patton. The memories of those who knew him have been dredged wholesale and dedicated researchers have ferreted out from official archives the few meagre records documenting his life. He has been the subject of innumerable interviews, magazine articles and sleeve notes and is one of the few blues singers of his generation to be memorialized in a full-scale biography. Yet despite all this attention, he remains an enigma.

There is not even certainly regarding his date of birth. May 1st 1891 is sometimes noted, but you can also get votes for April of that year or even 1887. Patton's biographers, Calt and Wardlow note that Patton's sister supplied the 1887 date while his parents supplied the 1891 date for a census in 1900. And how do you spell his name: Charley or Charley? In all probability Charley himself did not know his precise age, but Son House reported that he did know his name, which he would spell "C-H-A-R-L-E-Y", out loud - but that was all he could spell and he couldn't write even that. Other contentious facts regard his exact place of birth: Edwards or Bolton, Mississippi, (as the two towns are so close together they are virtually one, the question remains academic). And the identity of his father -was Charley, as has been claimed, a sibling of the Chatmon brothers of Mississippi Sheiks fame? What is fairly clear is that Charley's forebears included both whites and native Americans.


Undisputed is his pre-eminent status as one of the most influential of the first generation of rural black entertainers to commit their work to record. However, there is a variation of opinion regarding the depth of his involvement with the blues and the degree of their importance in his over all repertoire. There is a possibility that his recorded work contained more blues than his live performances.


Patton's recording sessions were controlled by profit conscious executives who saw blues being in vogue and more importantly, selling. Did Patton view himself as a chronicler and commentator on the world around him - or just as an entertainer who would do anything rather than work? In the view of the compilers of these notes these two roles were not mutually exclusive and Patton could satisfactorily fill both at one time. Despite his huge voice, all accounts agree that Charley was of slight stature, weighing in at around 135 pounds. He was light-skinned and had 'good' hair but could be cocky and aggressive. He liked to drink, snort coke and chase women, advertising himself as a Delta dandy by always dressing as well as he could afford to. The reactions of owners who found Charley on their plantations ranged from welcoming him as a contribution to the contentment of their workers to throwing him off the property as a shiftless, negative and disruptive influence.


He sang his fractures and usually fragmented verses in a heavily accented growl that has been the bane of those striving to transcribe his words ever since, and even defeated his contemporary audience from time to time. His act was so noisy, physical and visual, involving much clowning, as he threw his guitar around and played to his audience. In the over heated and alcohol fuelled atmosphere of the jukes, his combination of attractiveness and arrogance led to many encounters with enamoured women - and not a few assaults from outraged men. One of these, in 1933, left Charley with a slit throat and damaged vocal chords which identify the results of his last appearance in a recording studio.


Patton's recording sessions were controlled by profit conscious executives who saw blues being in vogue and more importantly, selling.
By his own (second hand) telling Patton did not take up the guitar until comparatively late, around the age of nineteen. Yet he was already well known and liked as an entertainer in his own area in the early years of the twentieth century. A list of his rivals and playing partners as he travelled around the Delta would include Dick Bankston, Willie Brown, Son House and Tommy Johnson. Charley does not seem to have been meek, he knew he was good and he was aware of the huge success being enjoyed on record by such artists as Blind, Lemon Jefferson and Blind Blake. ...

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