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Dinah Washington EP-Collection (CD)

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(See For Miles) 28 Mercury Master Tracks 1952- 1960 (74:44) mit 8-seitigem Booklet. Großartig... mehr

Dinah Washington: EP-Collection (CD)

(See For Miles) 28 Mercury Master Tracks 1952- 1960 (74:44) mit 8-seitigem Booklet.
Großartig klingende, essentielle Sammlung - heute schwer zu finden - neue Stockkopie (Bear Family Records)

Video von Dinah Washington - EP-Collection (CD)

Artikeleigenschaften von Dinah Washington: EP-Collection (CD)

Washington, Dinah - EP-Collection (CD) CD 1
01 Trouble In Mind Dinah Washington
02 New Blowtop Blues Dinah Washington
03 T.V. Is The Thing Dinah Washington
04 Gambler's Blues Dinah Washington
05 Makin' Whoopee Dinah Washington
06 They Didn't Believe Me Dinah Washington
07 Every Time We Say Goodbye Dinah Washington
08 I'll Close My Eyes Dinah Washington
09 What A Difference A Day Made Dinah Washington
10 Honky Tonk Dinah Washington
11 Somewhere Along The Line Dinah Washington
12 Come On Home Dinah Washington
13 Unforgettable Dinah Washington
14 Nothing In The World Dinah Washington
15 It Could Happen To You Dinah Washington
16 The Age Of Miracles Dinah Washington
17 Cry Me A River Dinah Washington
18 Time After Time Dinah Washington
19 A Sunday Kind Of Love Dinah Washington
20 It's Magic Dinah Washington
21 Baby, You've Got What It Takes (& B. Benton) Dinah Washington
22 I Do (duet wt. Brook Benton) Dinah Washington
23 A Rockin' Good Way (To Mess Around &Fl.I.Love Dinah Washington
24 I Believe (& Brook Benton) Dinah Washington
25 A Bad Case Of The Blues Dinah Washington
26 This Bitter Earth Dinah Washington
27 Alone Dinah Washington
28 Ask A Woman Who Knows Dinah Washington
Dinah Washington What A Diff'rence A Day Makes Dinah Washington What A Diff'rence A... mehr
"Dinah Washington"

Dinah Washington

What A Diff'rence A Day Makes

Dinah Washington

What A Diff'rence A Day Makes

(G“Dinah was the reason they wanted me to take over Mercury’s New York office,” said Clyde Otis. “They introduced me to her, and I said, 'I respect what you do so much, I'm afraid to even suggest a change in direction, but I have this idea for you to do “What A Diff'rence A Day Makes.” Have you ever heard it?' She said she had, and she asked me if I wrote it [Otis’ predilection for his own songs was legendary in the business]. I said I hadn't, but I told her if she recorded it, it could be very successful for her. She said, 'You do huh, motherfucker.' That was how she talked. She said, 'I'll give you one take, motherfucker.' I knew she meant one take, too. On the session, she was getting her shit together in the bathroom, and I told Belford Hendricks the arranger to get all the kinks out of the arrangement. She came back, she said. 'Ready?' One take, and we got it.

I went to a product meeting [at Mercury HQ] in Chicago, and played them ‘What A Diff'rence.’ They hated it. Meantime, Arnold Shaw [professional manager at the music publisher E.B. Marks] heard it and thought it was a monster. Arnold said, 'I'll take this song on the road, and I believe we can get the dee-jays to support it.' He went out three months, and when he came back it was a hit.”  In his book, Honkers And Shouters, Shaw adds that he actually brought the song to Otis. “When I suggested to Mercury executives that Dinah could sell pop, they patted me on the head and told me not to waste my company’s promotional budget,” wrote Shaw. “I was so excited when Clyde Otis cut [the song] that even though field promotion was the province of other members of staff, I went on the road. I spent nine weeks visiting disc-jockeys. Not R&B, but pop.”  

Dinah changed the song’s tense. Originally written in Spanish circa 1934 by Maria Grever as Cuando Vuelva A Tu Lado, it was rendered into English that year by veteran Broadway tunesmith Stanley Adams as What A Diff’rence A Day MADE. It hadn’t been an especially big hit in 1934, although it was interpolated into the 1955 Kirk Douglas movie, 'The Racer'. In 1959, it became Dinah’s first pop hit of the rock ‘n’ roll era, and it was, by any criterion, an exquisite performance. In 1975, Esther Phillips took what was essentially Dinah and Belford Hendricks’ arrangement of the song back into the pop Top 20. By then, Dinah was twelve years dead.

 

Various - Blowing The Fuse 1959

Classics That Rocked The Jukebox


Read more at: https://www.bear-family.de/various-blowing-the-fuse-1959-classics-that-rocked-the-jukebox.html
Copyright © Bear Family Records

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Tracklist
Washington, Dinah - EP-Collection (CD) CD 1
01 Trouble In Mind
02 New Blowtop Blues
03 T.V. Is The Thing
04 Gambler's Blues
05 Makin' Whoopee
06 They Didn't Believe Me
07 Every Time We Say Goodbye
08 I'll Close My Eyes
09 What A Difference A Day Made
10 Honky Tonk
11 Somewhere Along The Line
12 Come On Home
13 Unforgettable
14 Nothing In The World
15 It Could Happen To You
16 The Age Of Miracles
17 Cry Me A River
18 Time After Time
19 A Sunday Kind Of Love
20 It's Magic
21 Baby, You've Got What It Takes (& B. Benton)
22 I Do (duet wt. Brook Benton)
23 A Rockin' Good Way (To Mess Around &Fl.I.Love
24 I Believe (& Brook Benton)
25 A Bad Case Of The Blues
26 This Bitter Earth
27 Alone
28 Ask A Woman Who Knows