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The Platters The Ballads of The Platters

Star Rating (5)

Artikel-Nr.: BCD17326

Gewicht in Kg: 0,200

 

Sofort versandfertig, Lieferzeit** 1-3 Werktage

Statt: 15,95 € * (20 % gespart)
12,76 € *
 
 
 
 
 

The Platters: The Ballads of The Platters

1-CD-Album Digipak mit 40-seitigem Booklet, 33 Einzeltitel, Spieldauer ca. 90 Minuten.

Einige der größten Hits der Fünfzigerjahre, gesungen von der erfolgreichsten Vokalgruppe aller Zeiten, The Platters! Diese Songs umreißen eine ganze Ära! Zu den Klassikern zählen Only You, The Great Pretender, My Prayer, Twilight Time, (You've Got) The Magic Touch, Harbor Lights und Smoke Gets In Your Eyes. Einige der einprägsamsten und am besten bekannten Songs unseres Lebens, die uns in der Fernsehwerbung, in Spielfilmen und Fernsehshows begleitet haben.

Keine andere Vokalgruppe hat die US-amerikanischen Pop-Charts in der zweiten Hälfte der Fünfzigerjahre derart dominiert wie die Platters. Obwohl Rock 'n' Roll mit Elvis, Chuck Berry und Little Richard unaufhaltsam nach oben drängte, behaupteten sich die Platters an der Spitze, weil sie die entgegengesetzte Richtung einschlugen.

Sie sangen schmachtend majestätische Balladen, bei denen ihr außerirdisch guter Tenor Tony Williams herausstach: Only You (And You Alone), The Great Pretender, My Prayer, Twilight Time,
Smoke Gets In Your Eyes.

'The Ballads Of The Platters' enthält all diese beliebten Klassiker - und eine Menge mehr. 30 Songs dieser mit 33 Einzeltiteln randvollen CD stammen aus dem umfangreichen Mercury Records-Katalog des Quintetts. Die restlichen drei Aufnahmen wurden ursprünglich für Federal produziert, Raritäten aus der Zeit, bevor sie berühmt wurden. Sobald sie bei Mercury unter Vertrag standen, konzentrierten sich die Platters auf wunderschöne Balladen. Wenn sie einen ihrer unvergeßlichen Hits anstimmten, fielen Teenager und Erwachsene gleichermaßen in Ohnmacht. Qualität überwindet alle Grenzen.

Bear Family ist für Sorgfalt und Detailliebe bekannt. So kommt auch dieses Album mit ausführlichen Linernotes von Bill Dahl (der dieses Album zusammengestellt hat), einer Menge Fotos aus jener Zeit und einer kompletten Diskografie. 'The Ballads Of The Platters' ist in unseren Augen die beste aller auf eine CD limitierten Zusammenstellungen von einer der großartigsten Gruppen der Fünfzigerjahre. Ohne jegliche Anstrengung überwanden sie stets aufs Neue die Grenzen zwischen R&B und Pop. Die bewegenden Balladen von den Platters werden wie damals, als sie erstmals über den Äther zu hören waren, Gänsehaut erzeugen.

1-CD-Album Digipak mit 40-seitigem Booklet, 33 Einzeltitel, Spieldauer ca. 90 Minuten


 

Songs

Wird geladen...

 

Artikeleigenschaften von The Platters: The Ballads of The Platters

  • Interpret: The Platters

  • Albumtitel: The Ballads of The Platters

  • Artikelart CD

  • Genre R&B, Soul

  • Music Genre R&B, Soul
  • Music Style Vocal Groups / Doo Wop
  • Music Sub-Genre 255 Vocal Groups/Doo Wop
  • Edition 2 Deluxe Edition
  • Label Bear Family Productions

  • Preiscode AR
  • SubGenre R&B Music - Classic R&B

  • EAN: 5397102173264

  • Gewicht in Kg: 0.200
 
 

Interpreten-Beschreibung "Platters"

The Platters

As rock and roll surged forth in the mid-1950s into the national and global consciousness, an avalanche of African-American vocal groups helped mightily to lead the charge, even if the history books don't always report it that way.

The Drifters, Clovers, Moonglows, and Midnighters were at the head of that long line (they're all prominently featured on Bear Family's 'Street Corner Symphonies' series). Yet the most popular of them all from a commercial standpoint was a finely honed quintet of expert balladeers whose vocal harmonies were as delightful as their material was refined. That carefully crafted polish led to pop crossover status on an epic scale.

The Platters had two things going for them that their competitors couldn't claim: the stratospheric lead tenor of Tony Williams and the writing and managerial skills of Buck Ram. Instead of sticking with the all-male lineup they'd started out with, the group brought in cute-as-a-button teenager Zola Taylor, further setting them apart from the great majority of their contemporaries. They debuted in Los Angeles as a standard-issue R&B outfit, but after Ram took over their supervisory reins, the group focused on pop supremacy.

The L.A. R&B vocal group scene was like no other in its extreme interchangeability. Members switched groups and groups changed names seemingly at the drop of a note or the composition of a song. Standouts such as Jesse Belvin, Richard Berry, and Cornel Gunter were involved in so many interwoven aggregations that it's a major challenge to keep their tangled lineage straight. Thus, it shouldn't come as any great shock that the crew that morphed into The Platters started out in 1952 with zero members of the polished quintet that we know and revere on board.

Called The Flamingoes (not to be confused with the Chicago-based quintet of the same moniker, minus the 'e'), the loose-knit aggregation initially included Gunter before he moved on to form The Flairs as well as Jody Jefferson, future Penguins mainstay Curtis Williams, and two melodious brothers: Alex and Gaynel Hodge.

Bass singer Herb Reed was the first 'real' Platter to join the ranks. Born August 7, 1928 in Kansas City, Missouri, Reed sang in a church choir before venturing out to L.A. when he was 15. He served in the Air Force and reportedly sang in a Los Angeles chapter of The Wings Over Jordan Choir, though he made ends meet washing cars, pumping gas, and driving a jitney cab. Second tenor David Lynch came into the picture during this same period. Born in St. Louis on July 3, 1929, he arrived in L.A. in 1942, later serving in the Navy.

Reed, Lynch, and the Hodge brothers picked up a background vocal gig at a June 1953 session for Federal Records by tenor sax wildman Big Jay McNeely. Precise harmonies weren't necessary. The quartet enthusiastically belted the title of the song, Nervous Man Nervous, over and over and provided handclaps while McNeely ferociously honked and wailed. When the saxophone smoke cleared, Federal A&R man Ralph Bass introduced the group to a singer he had rehearsing in an adjacent studio, exercising his pipes on something operatic. His name was Tony Williams.

Samuel E. 'Tony' Williams was a native of Elizabeth, New Jersey, born April 5, 1928. Another Air Force vet (he sang for three years in Special Services and was stationed in Guam, Japan, and the Pacific Islands), Tony got his feet wet singing around Jersey and New York until he headed west. He had an in: his older sister Bertha was singing professionally under the handle of Linda Hayes and having some success at it. Yes I Know (What You're Putting Down), her snappy answer to Chicago pianist Willie Mabon's salacious R&B chart-topper I Don't Know, was almost as hot a seller as its predecessor, sailing to #2 on 'Billboard's' R&B 'Juke Box' chart via John Dolphin's Recorded in Hollywood label. She'd score another charter the following year with Take Me Back.

Always on the lookout for fresh talent that would please King Records founder Syd Nathan, his boss back in Cincinnati (the Bronx-born Bass had previously served in similar A&R capacities for Black & White and Savoy, piloting Johnny Otis' spectacular string of hits at Savoy before inaugurating Federal with The Dominoes' ribald Sixty-Minute Man in 1951), Ralph first heard Tony unfurl his prodigious pipes at one of the amateur shows that Bass and deejay Hunter Hancock staged on Monday evenings at the Club Alabam in Watts, Otis' band providing swinging backup. Even though Williams didn't win the competition that evening, an impressed Bass signed him to a Federal contract. Deciding it might be easiest to market Tony in a group context, the savvy producer teamed the newcomer with the quartet he used to back Big Jay. It was a match made in musical heaven.

The Platters The Ballads of The Platters
Read more at: https://www.bear-family.com/platters-the-ballads-of-the-platters.html
Copyright © Bear Family Records

 
Kundenbewertungen für "The Ballads of The Platters"
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Von: Redecker 2014-03-13 14:45:11

In the case of the Platters we don't have a box set of their recordings either, so the 33 songs collected on their Bear Family disc are extremely welcome here.
Blue Suede Shoes # 101 Marc Bristol

 
Von: Redecker 2014-03-13 14:45:00

Tolle Zusammenstellung. Zwei Gläser Wein, Kerzenlicht, CD anschalten und der Abend kann beginnen.
R & R Musikmagazin 3/13 H.G. Hartig

 
Von: Redecker 2014-03-13 14:44:49

This CD is almost faultless.
Now Dig This 4/13 Pete Bowen

 
Von: Ohlhoff 2013-03-29 20:40:12

Very cool ...

 
Von: Ohlhoff 2013-03-29 20:40:12

Very cool ...

 
 
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