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Marty Robbins Marty Robbins - Rocks

Marty Robbins - Rocks
 
 
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Artikel-Nr.: BCD17245

Gewicht in Kg: 0,200

 

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Marty Robbins: Marty Robbins - Rocks

Video von Marty Robbins - Marty Robbins - Rocks

1-CD-Album Digipak mit 32-seitigem Booklet, 30 Einzeltitel. Spieldauer ca. 72 Minuten.

29 von den original Masterbändern überspielte Titel, Rockabilly, Teen Pop und rockige Country-Nummern!
Enthält Marty Robbins einzige bekannte Aufnahme von dem von ihm selbst geschriebenem Rockabilly-Klassiker Sugaree!
Sämtliche Titel von 'Rock 'n' Roll'n Robbins', seiner ultraseltenen ersten LP aus dem Jahr 1956, sind dabei!
Das 32-seitige Booklet mit vielen seltenen Fotos und einer kompletten Diskografie erzählt die gesamte Geschichte von Marty Robbins Rock 'n' Roll-Aufnahmen!

Von den etablierten Country-Musikern, die im Verlauf der Fünfzigerjahre mit Rockabilly und Rock 'n' Roll flirteten, haßte Marty Robbins diese Musik vermutlich am meisten - und trotzdem lieferte er die authentischsten Platten! Als er 1955 in Florida mit Elvis Presley auf Tour war, erkannte er die Zukunft und die rockte! Er nahm eine Coverversion von Elvis' Hit That's All Right und eine Menge Rockabilly-Klassiker wie Tennessee Toddy und Respectfully Miss Brooks zusammen mit Hillbilly-Fassungen von Rock 'n' Roll-Songs wie Maybelline oder Long Tall Sally auf. 

Selbst nachdem Marty Robbins Rockabilly hinter sich gelassen hatte und zur Country Music zurückgekehrt war, verfolgte er eine parallele Karriere im Teen Pop-Markt mit Titeln wie Teen-Age Dream,
Grown-Up Tears und Stairway Of Love. Auf dieser Marty Robbins Zusammenstellung finden sich sämtliche Rockabilly-Aufnahmen zusammen mit den besten Stücken des Teen Pop und Rock 'n' Roll der Fünfziger- und Sechzigerjahre. 

Alles in allem 29 fantastische, von den original Masterbändern überspielte Titel, und zusätzlich als Bonus die einzige bekannte Aufnahme, wo Marty Robbins Sugaree singt, den von ihm geschriebenen Klassiker, den die Jordanaires, Hank Ballard, Rusty York und viele andere aufnahmen. Dieses Album liefert einen faszinierenden und rockigen Blick auf einen Superstar der Country Music, der - wenn die Sache nur ein wenig anders verlaufen wäre - zu einem Pionier des Rock 'n' Roll hätte werden können.

1-CD-Album Digipak mit 32-seitigem Booklet, 30 Einzeltitel. Spieldauer ca. 72 Minuten


 

Songs

Robbins, Marty - Marty Robbins - Rocks CD 1
1: Jeannie & Johnny
2: Grown-Up Tears
3: Ruby Ann (chart version)
4: It's Driving Me Crazy
5: Maybelline
6: Baby's Gone
7: Ain't Life A Cryin' Shame
8: You've Been So Busy Baby
9: Sometimes I'm Tempted
10: Teenager's Dad
11: Long Tall Sally
12: Respectfully Miss Brooks
13: Long Gone Lonesome Blues
14: Pain And Misery
15: That's All Right
16: Tennessee Toddy
17: I'll Know You're Gone
18: Knee Deep In The Blues
19: You Don't Owe Me Thing
20: Mean Mama Blues
21: Mister Teardrop
22: Pretty Mama
23: I Can't Quit
24: Baby , I Need You
25: Footprints In The Snow
26: Just Married
27: Teen-Age Dream
28: Stairway Of Love
29: She Was Only Seventeen (And He Was One Year M
30: Sugaree (live)

 

Artikeleigenschaften von Marty Robbins: Marty Robbins - Rocks

  • Interpret: Marty Robbins

  • Albumtitel: Marty Robbins - Rocks

  • Artikelart CD

  • Genre Rock 'n' Roll

  • Music Genre Rock 'n' Roll
  • Music Style Rock & Roll
  • Music Sub-Genre 201 Rock & Roll
  • Edition 2 Deluxe Edition
  • Label Bear Family Records

  • Preiscode AR
  • SubGenre Rock - Rock'n'Roll

  • EAN: 4000127172457

  • Gewicht in Kg: 0.200
 
 

Interpreten-Beschreibung "Robbins, Marty"

Marty Robbins

Geb. 26. 9. 1925 in Glendale - Arizona gest. 8. 12. 1982
Record Labels: Columbia, Embassy, Hallmark, MCA, Bear Family

Although the infant known as rock 'n' roll had been toddling around America for quite a while before Elvis Presley cut That's All Right on a summer's evening in July 1954, it was the break-out success of that record that brought this supposed 'new sound' to the attention of the hillbilly music industry. By 1955, what at first seemed to be a novelty success was obviously a growing trend. And although no one was sure that rock 'n' roll was here to stay, it was certainly beginning to cut into the incomes of many established country music stars.

With the craze for this new beat, it just made sense for country singers to grab a piece of the rock 'n' roll pie. Some performers were baffled by the music and it showed in their attempts. Others took to the new sound instinctually – understanding the connection to hillbilly boogie and the 'sock rhythm' of Hank Williams and the younger breed of honky-tonkers that had followed in his wake. Although these artists produced a handful of great rockabilly records, they were still wading the shallow end of the rock 'n' roll pool rather than diving fully into the deep end.

And then, there were a few singers that might have very well abandoned country music for a rock 'n' roll or pop career if things had worked out slightly differently. That's certainly the case for Marty Robbins, who for roughly a year, was definitely pointing his career in a rock 'n' roll direction without ever coming off as a poser or pretender. But Robbins was never one to rely on just one style, no matter how much success he found in that field. As he told journalist Bob Allen in 1981, "I don't want to be put in any category. I don't want to get in a rut." It was Robbins' refusal to be pigeonholed and his musical eclecticism that enabled him to record great rock 'n' roll and rockabilly records but also led him to many others fields.

If rock was the soundtrack of teenage rebellion, Robbins certainly had experience. Born September 26, 1925, near Glendale, Arizona as Martin David Robinson, his early years were spent in a poverty-stricken household with an alcoholic father who frequently vented his rage on his wife and nine children. Although his parents divorced when he was twelve, it did little to help the family's financial situation. Entering his teens, Robbins found rebellion as a way to express his anger and frustrations – engaging in petty crimes that led to several encounters with the law. His rehabilitation eventually came at the hands of the U.S. Navy. He enlisted in May 1943, and served in the Pacific where he piloted landing craft during the bloody fighting for the Solomon Islands.

But the Navy did more than reform him from a life of crime. It was while he was in the service that he first began taking an interest in performing, learning to play the guitar. Although hillbilly music was very common in Arizona, Robbins' main exposure to music as a child had been radio crooners and the singing cowboys in the Western movies he dearly loved. Many of his fellow sailors were Southerners, and it was from them that Robbins learned to appreciate hillbilly music.

When he returned to Glendale, Arizona after the war, Robbins drifted into a career as a hillbilly singer, eventually changing his name to the shorter and catchier 'Marty Robbins.' Part of the reason for his career choice was simply because he had little patience for the 8 to 5 grind of a normal job, and with many honky tonks and hillbilly radio shows scattered across the Southwest, the hillbilly field rather than pop crooning was where the most opportunities lay for breaking into the business. Early on, Robbins demonstrated a sharp business sense and the willingness to work hard at his career. Throughout the late 1940s and into the '50s Robbins kept a busy schedule working in radio and TV, along with personal appearances that ranged from Texas to California. It was this hard work, learning the business and developing his skills as a consummate entertainer that led to his signing with Columbia Records in 1951.

Starting with Robbins' first session for Columbia in November 1951, he began developing the smooth, melancholy style that led to the nickname, 'Mr. Teardrop.' It was a variation on the Eddy Arnold country crooner formula of heartbreak ballads that relied on the interplay between smooth vocals and the cry of the steel guitar. This formula led to Robbins' first two hits, I'll Go On Alone, that reached number one on the 'Billboard' Country singles chart for one week in January 1953, and I Couldn't Keep From Crying that reached number five in March 1952.

 

Excerpt from BCD17245 - Marty Robbins Marty Robbins - Rocks
Read more at: https://www.bear-family.de/robbins-marty-marty-robbins-rocks.html
Copyright © Bear Family Records 

 
Presseartikel über Marty Robbins - Marty Robbins - Rocks
Kundenbewertungen für "Marty Robbins - Rocks"
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(aus 5 Kundenbewertungen)
 
 
Von: Redecker 2014-03-13 13:57:16

The rock'n'roll and up-tempo side of country's most versatile vocalist. This set comes with a 32pp booklet well annotated with full recording details and rare photos.
Maverick 5-6/2013 Alan Cackett

 
Von: Redecker 2014-03-13 13:57:03

This album is special because it shows Marty's versality, with tracks from boppers, rockers, ballads and story songs. Excellent!
Country Music People 3/2013 Roland Purdy

 
Von: Redecker 2014-03-13 13:56:52

This is a really terrific CD!
Blue Suede Shoes # 99 Gaby Maag-Bristol

 
Von: Redecker 2014-03-13 13:56:42

Klar, dass es ein umfangreiches Booklet mit Infos und Discografie gibt.
R & R Musikmagazin 6/2012 H.G. Hartig

 
Von: Muzyk 2013-04-30 17:14:40

Die Songs erinnern mich an meine Jugend und was ich damals auf AFN gehört habe. Ein schönes Wiederhören mit der Vergangenheit. (ist allerdings sehr persönlich).

 
 
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